Deutsch-Französisches Forschungsprogramm: Kunstmarkt und Kunst sammeln von 1900 bis heute in Deutschland und Frankreich
Paris, Frankreich, 11.-13. März 2019
Berlin, Deutschland, 8.-10. November 2018
Weltkunst, Vol. VIII, Nr. 25, June 24th, 1934, 1/ Gazette de L’Hôtel Drouot, Vol. 49, Nr. 34, Octobre 3rd, 1940, 1.
INTERNATIONALE KONFERENZ DES DEUTSCH-FRANZÖSISCHEN FORSCHUNGSPROGRAMMES 2018-2019 IN BERLIN
Germany and France: Art Market and Art Collecting 1900-1945
Ort: TU Berlin, Senatssitzungssaal H 1035/1036, Straße des 17. Juni 135, 10623 Berlin
Datum: 9.–10. November 2018
Die Konferenz ist Teil der Berlin Science Week 2018 und zugleich der erste Teil des Deutsch-Französischen Forschungsprogrammes 2018–2019 “Art Market and Art Collecting from 1900 to the Present in Germany and France”, das vom Forum Kunst und Markt / Centre for Art Market Studies an der TU Berlin und dem Centre Georg Simmel an der École des Hautes Études en Sciences Sociales in Kooperation mit dem Deutschen Forum für Kunstgeschichte Paris organisiert wird. Finanziell gefördert wird das Deutsch-Französische Forschungsprogramm von der UFA/DFH.
Downloads:
CFP German-French Research Programme 2018-2019
Flyer Germany and France: Art Market and Art Collecting 1900-1945
Poster Germany and France: Art Market and Art Collecting 1900-1945
Booklet Germany and France: Art Market and Art Collecting 1900-1945
Reviews:
Elena Maria Rita Rizzi, Florence, in: H/Soz/Kult, 25/01/19
Vanessa von Kolpinski, Berlin, in: ArtHist.net, 6/02/2019
++Titel, Abstract und Programm sind immer in der jeweiligen Konferenzsprache wiedergegeben.++
Refugee crises, trade wars, migration debates: within the context of global geopolitical, economic and cultural-political upheavals, Europe is presently undergoing a process of transformation. At the same time, European territorial occupations and past colonial rules are coming increasingly into the focus of national and transnational scholarship and the politics underlying it.
The international conference “Germany and France: Art Market and Art Collecting 1900–1945” at TU Berlin responds to these dynamics. The thematic emphasis is research into the art market and art collecting in national and transnational networks in Germany and France as well as how these networks relate to art and cultural policy from 1900 to 1945.
CONFERENCE PROGRAMME
Friday, 9 November 2018
Venue: TU Berlin, Senate Room H 1035/1036, Straße des 17. Juni 135, 10623 Berlin
10:00 Registration
10:30 Welcome: Bénédicte Savoy (Berlin / Paris)
Introduction: Dorothee Wimmer (Berlin)
Section 1
Germany and France I: The Power of Art Publishing
Chair: Andrea Meyer (Berlin)
10:45 Friederike Kitschen (Berlin)
Marketing Instruments? Art Book Series and the Art Market 1900–1930
11:15 Chara Kolokytha (Newcastle / Berlin)
Museum Acquisition Policies in Germany and France: The Interwar Advocacy of Cahiers d’Art
11:45 Kate Kangaslahti (Leuven)
Cahiers d’art 1926–1940: Modern Painting, mise en marché and mise en page
12:15 Lunch Break
Section 2
Germany and France II: Confrontations, Networks and Economics
Chair: Johannes Nathan (Zürich / Berlin)
14:00 Léa Saint-Raymond (Paris)
Invaders or Ordinary Collectors? German Protagonists at Parisian Auctions (1900–1939)
14:30 MaryKate Cleary (Edinburgh)
Transnational Networks – Paul Rosenberg and the Rise of Contemporary French Art on the German-speaking Market 1918–1929
15:00 Coffee Break
15:30 Yves Guignard (Lausanne)
The French-German Connections of the Art Dealer and Collector Wilhelm Uhde (1874–1947)
16:00 David Challis (Melbourne)
Currency Devaluation and the Interwar Art Market for French Modernist Art
16:30 Coffee Break
KEYNOTE LECTURE
18:00 Marek Claassen (Berlin)
Modern and Contemporary French and German Artists: Quality – Value – Ranking
19:30 Reception
Saturday, 10 November 2018
Venue: TU Berlin, Senate Room H 1035/1036, Straße des 17. Juni 135, 10623 Berlin
Section 3
Germany and France III: Politics and Markets
Chair: Meike Hopp (München / Berlin)
10:00 Welcome: Dorothee Wimmer (Berlin)
Introduction: Elisabeth Furtwängler (Berlin)
10:15 Vérane Tasseau (Paris)
Raoul La Roche and the Sales from Kahnweiler’s “Enemy Property” after WW I
10:45 Gitta Ho (Paris)
Secret Networks. Jewish Art Dealers Active in France during the Occupation
11:15 Coffee Break
11:30 Nathalie Neumann (Berlin)
The Power of Experts: Walter Borchers and the ERR
12:00 Mattes Lammert (Berlin / Paris)
“Before it is too late”: Acquisitions of Islamic Art by Berlin Museums
12:30 Conference ends
Additional Information: Admission is free. No registration is required but space is limited. The conference language is English.
Conference Venue: TU Berlin, Senate Room H 1035/1036, Straße des 17. Juni 135, 10623 Berlin
Concept and Organisation of the Conference in Berlin: Dorothee Wimmer and Elisabeth Furtwängler in collaboration with Xenia Schiemann (TU Berlin, Forum Kunst und Markt / Centre for Art Market Studies)
Scientific Committee of the German-French Research Programme 2018-2019: Julia Drost (DFK), Elisabeth Furtwängler (TU Berlin), Hélène Ivanoff (Centre Georg Simmel / EHESS), Denise Vernerey-Laplace (Centre Georg Simmel / EHESS), Dorothee Wimmer (TU Berlin, Forum Kunst und Markt / Centre for Art Market Studies)
Financial Support: The German-French Research Programme 2018–2019 is funded by the Université franco-allemande/Deutsch-Französische Hochschule.
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