ABK Images

LIVE ONLINE EVENT: FOKUM eEVENING LECTURE

Prof Dr Nils Büttner, Stuttgart, and Dr Carina Popovici, Zurich

Date: January 20, 2025, 18:15-19:45 CET
Zoom-Link: click here

Programm eEvening Lectures WS 2024/2025

© Fokum

SYMPOSIUM 2024

Antisemitische Symbole in Kunstobjekten (Hybrid Event, 5.–6. Dezember 2024)

Symposium organised by the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at TU Berlin and the Chair of Art Education at HFBK Hamburg

Concept and organisation: Meike Hopp, Nora Sternfeld and Dorothee Wimmer, with the assistance of Gabriele Zöllner

Review: Birgit Rieger, Berlin, in: Tagesspiegel, December 10, 2024

In the 1950s, the planned construction of the Aswan High Dam threatened the accessibility and architectural integrity of Ramses II’s two temples at Abu Simbel. As a world wide joint project, the temples were dismantled and rebuilt on a higher plateau between 1963 and 1968. Source: Forskning & Framsteg 3, 1967, p. 161 / Wikimedia Commons.

INTERNATIONAL SYMPOSIUM 2023

++will be published open access by arthistoricum.net-ART-Books in 2025++

Art Transportation in Times of War and Peace

Date: November 9-10, 2023

International Symposium of the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universität Berlin and the Berlinische Galerie – Museum für Moderne Kunst

The symposium opened on Thursday, November 9, 2023, with a panel discussion about “Krieg in Europa – Art Handling” (in German, with registration). Conference date: Friday, November 10, 2023, online (TU Zoom). Conference language was English.

Concept: Meike Hopp, Thomas Steinruck, Dorothee Wimmer and Gabriele Zöllner

Arrival of relief goods at the Khanenko Museum, Kyiv, March 2022; Image: Ukraine Art Aid Center.

RECORDING OF THE PANEL DISCUSSION 

Krieg in Europa – Art Handling

Download (in German): click here
(Live recording, not an edited podcast version)

The panel discussion took place on November 9, 2023 at the Berlinische Galerie – Museum für Moderne Kunst.

It was part of the international symposium Art Transportation in Times of War and Peace.

Hacha. “Bliss Coll. from Dehesa” noted on verso, date unknown. Stendahl Art Galleries Records, 2017.M.38, b32, f4, Getty Research Institute.

LATEST ISSUE: JOURNAL FOR ART MARKET STUDIES (JAMS)

Collecting Latin America
Volume 7, Number 1, 2023

Guest Editor: Martin Berger

Contributions by Anna Antonini, Martin Berger, Caroline Fernandes Caromano, Mariana Francozo, Viola Koenig, Mary E Miller, Megan O’Neil, Carolina Orsini, Payton Phillips Quintanilla, Andrew D. Turner, Federica Villa 

This issue examines the influence that art market actors (specifically dealers and collectors) had on the formation of collections in museums in Europe and the United States. The focus lies on Latin America, looking primarily at archaeological collections but also briefly examining the lively trade in and market for ethnographic items that existed in the twentieth century.

Pablo Picasso. Head of a Woman/Fernande, 1909 and element of a reliquary, Fang style, Gabon, known as the « Brummer Head », as published in Umělecký Měsíčník, 1912/1913, Vol. 2, No. 8, p. 200-201.

OPEN ACCESS: FOKUM eEVENING LECTURE

Dr. Yaëlle Biro, New York/Paris:

African Arts’ Secondary Market. Market Definition and Networks in the Early 20th century

KuK TU Berlin YouTube-Link: https://youtu.be/OLrsV9DC7nYv

++Due to the measures to contain COVID-19, all events of the Forum Kunst und Markt / Centre for Art Market Studies take place online in the winter term 2021/2022.++

© Fokum 2021; Image Detail: Philipp Deines, Untitled, 2015.

OPEN ACCESS: FOKUM eEVENING LECTURES

The lecture series of the Centre for Art Market Studies is dedicated to interdisciplinary and inter-institutional exchange for current research on the art market and its history.

Due to the pandemic, the past evening lectures are available open access on KuK TU Berlin – YouTube.

Max Slevogt: Die Auktion der Sammlung Huldschinsky in Berlin, 1928, Niedersächsisches Landesmuseum, Hannover, Quelle: Wikimedia Commons/CC-PD.

*** CANCELLATION OF THE LONG NIGHT OF THE SCIENCES 2020 ***  

During the “Sommernachtssalon: 100 Jahre Groß-Berlin” at the Long Night of the Sciences of the TU Berlin Prof. Dr. Meike Hopp (Berlin) and Dr. Dorothee Wimmer (Berlin) will talk about:

Goldene Zwanziger Jahre? Berliner Society zwischen Luxussteuer und Kunstrausch

Date: 06/06/2020, 8:30 p.m. – 9:00 p.m. *** cancelled ***
Venue: Foyer der Universitätsbibliothek der TU Berlin, VOLKSWAGEN-Haus, Fasanenstraße 88, 10623 Berlin

“Das Kunst-Stück der DDR. Wie ein staatseigener Betrieb Bilder und Antiquitäten zu Devisen macht”, art, No. 2, 1984, p. 72.

EVENING LECTURE

Xenia Schiemann, M.A., Berlin:
Eiserner Vorhang zwischen Ost und West?
Kunsthandel zwischen der Kunst und Antiquitäten GmbH der DDR und dem Londoner Auktionshaus Christie’s

Date: 10/02/2020, 6:15 p.m.
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623

Directions to Room A 111

© Wikipedia

JOURNAL FOR ART MARKET STUDIES:
LATEST ISSUE 

The Global Art Market under the Spanish Empire 1500-1800
Volume 3, Number 2, 2019

Guest Editor: Pilar Diez del Corral

The issue “The Global Art Market under the Spanish Empire 1500-1800”, guest-edited by Pilar Diez del Corral, explores aspect of the artistic market under the auspices of the Spanish Empire in a vast geographic context, with intricate commercial and human networks. The global economy of this period transplanted Castilian society overseas, including art markets, with two-way trade routes.

www.fokum-jams.org