THE CENTRE FOR ART MARKET STUDIES IS DEVOTED TO RESEARCHING THE ART MARKET FROM ITS BEGINNINGS TO THE PRESENT DAY
Advertisement of the moving company La Continentale Menkès in the Brussels Trade and Industry Almanac of 1939, page 2353. © Brussels Archives, City of Brussels.
HYBRID EVENT // TU BERLIN / ONLINE
Eléa De Winter, Brussels, and Fenya Almstadt, Brussels/Berlin
Evening lecture in cooperation with the Royal Museums of Fine Arts of Belgium, the Université Libre de Bruxelles and the Department of Digital Provenance at Technische Universität Berlin
Date: February 10, 2025, 18:15-19:45 h CET
Venue: H 0111 in the main building at TU Berlin, Straße des 17. Juni 135, 10623 Berlin
The event will be broadcast in parallel via TU Berlin Zoom: https://tu-berlin.zoom.us/j/63199001038?pwd=vDhGInsisULAesyi2Qu7LImdoc4mRY.1
Programme Evening Lectures WS 2024/2025
© Fokum
SYMPOSIUM 2024
Antisemitische Symbole in Kunstobjekten (Hybrid Event, 5.–6. Dezember 2024)
Symposium organised by the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at TU Berlin and the Chair of Art Education at HFBK Hamburg
Concept and organisation: Meike Hopp, Nora Sternfeld and Dorothee Wimmer, with the assistance of Gabriele Zöllner
Review: Birgit Rieger, Berlin, in: Tagesspiegel, December 10, 2024
In the 1950s, the planned construction of the Aswan High Dam threatened the accessibility and architectural integrity of Ramses II’s two temples at Abu Simbel. As a world wide joint project, the temples were dismantled and rebuilt on a higher plateau between 1963 and 1968. Source: Forskning & Framsteg 3, 1967, p. 161 / Wikimedia Commons.
INTERNATIONAL SYMPOSIUM 2023
++will be published open access by arthistoricum.net-ART-Books in 2025++
Art Transportation in Times of War and Peace
Date: November 9-10, 2023
International Symposium of the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universität Berlin and the Berlinische Galerie – Museum für Moderne Kunst
The symposium opened on Thursday, November 9, 2023, with a panel discussion about “Krieg in Europa – Art Handling” (in German, with registration). Conference date: Friday, November 10, 2023, online (TU Zoom). Conference language was English.
Concept: Meike Hopp, Thomas Steinruck, Dorothee Wimmer and Gabriele Zöllner
Arrival of relief goods at the Khanenko Museum, Kyiv, March 2022; Image: Ukraine Art Aid Center.
RECORDING OF THE PANEL DISCUSSION
Krieg in Europa – Art Handling
Download (in German): click here
(Live recording, not an edited podcast version)
The panel discussion took place on November 9, 2023 at the Berlinische Galerie – Museum für Moderne Kunst.
It was part of the international symposium Art Transportation in Times of War and Peace.
Hacha. “Bliss Coll. from Dehesa” noted on verso, date unknown. Stendahl Art Galleries Records, 2017.M.38, b32, f4, Getty Research Institute.
LATEST ISSUE: JOURNAL FOR ART MARKET STUDIES (JAMS)
Collecting Latin America
Volume 7, Number 1, 2023
Guest Editor: Martin Berger
Contributions by Anna Antonini, Martin Berger, Caroline Fernandes Caromano, Mariana Francozo, Viola Koenig, Mary E Miller, Megan O’Neil, Carolina Orsini, Payton Phillips Quintanilla, Andrew D. Turner, Federica Villa
This issue examines the influence that art market actors (specifically dealers and collectors) had on the formation of collections in museums in Europe and the United States. The focus lies on Latin America, looking primarily at archaeological collections but also briefly examining the lively trade in and market for ethnographic items that existed in the twentieth century.
Pablo Picasso. Head of a Woman/Fernande, 1909 and element of a reliquary, Fang style, Gabon, known as the « Brummer Head », as published in Umělecký Měsíčník, 1912/1913, Vol. 2, No. 8, p. 200-201.
OPEN ACCESS: FOKUM eEVENING LECTURE
Dr. Yaëlle Biro, New York/Paris:
African Arts’ Secondary Market. Market Definition and Networks in the Early 20th century
KuK TU Berlin YouTube-Link: https://youtu.be/OLrsV9DC7nYv
++Due to the measures to contain COVID-19, all events of the Forum Kunst und Markt / Centre for Art Market Studies take place online in the winter term 2021/2022.++
© Fokum 2021; Image Detail: Philipp Deines, Untitled, 2015.
OPEN ACCESS: FOKUM eEVENING LECTURES
The lecture series of the Centre for Art Market Studies is dedicated to interdisciplinary and inter-institutional exchange for current research on the art market and its history.
Due to the pandemic, the past evening lectures are available open access on KuK TU Berlin – YouTube.
Funded by
