\nForum Kunst und Markt \/ Centre for Art Market Studies
\nwww.fokum-jams.org<\/a><\/p>\n
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<\/a><\/p>\n ELEVENTH ISSUE<\/b><\/p>\n Courtesy: Bernd Friedrich Schon, Design: Amichai Green Grafik.<\/p><\/div>\n Guest Editor: Paul Melton<\/strong><\/p>\n A public fascination with the art market and its players, with its layers of duplicity and authenticity, visibility and opacity, has long reverberated in fictional accounts, be it in film or popular culture. The new issue of the Journal for Art Market Studies explores the themes of such representations, taking the interdisciplinary approach to rarely visited territory.<\/p>\n Susanne Meyer-Abich Paul Melton Michael Hutter Nick Pearce Claudia Quinones Vila Bernd Friedrich Schon Jeffrey Taylor Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org ELEVENTH ISSUE Re-presenting the Art Market Volume 5, […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8663","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=8663"}],"version-history":[{"count":32,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8663\/revisions"}],"predecessor-version":[{"id":9840,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8663\/revisions\/9840"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=8663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Re-presenting the Art Market<\/strong><\/a>
\nVolume 5, Number 1, 2021<\/h1>\n![\"\"](\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS11_0_cover_final.png\")
Table of Contents<\/h2>\n
\nEditorial<\/strong>
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\n\u201cI\u2019ll Be Your Mirror\u201d: Cultural Studies and \/ as Art Market Studies<\/strong>
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\nThree views of a saleroom. Valorization in and valuation of visual artworks by (mostly) Watteau, Altman and Banksy<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n
\n“Twice as valuable as that of Eumorphopulos and twice as famous…” (Vita Sackville-West, All Passion Spent, 1931) – The real and imaginary world of the Chinese art collector<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n
\nThrough a Screen, Darkly: Exploring Media Representations of the Art Market during 2010-2019<\/strong>
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\n(Con)Artistic Strategies for How to Succeed in the Art Market. Orson Welles\u2019 “F for Fake” and Banksy\u2019s “Exit through the Gift shop”<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n
\nArt Forgers and the Deconstruction of Genius<\/strong>
\nHTML<\/a> PDF<\/a><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"