\nForum Kunst und Markt \/ Centre for Art Market Studies
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<\/a><\/p>\n TENTH ISSUE<\/b><\/p>\n Courtesy: Leo Baeck Institute, design: Amichai Green Grafik.<\/p><\/div>\n Guest Editors: Alexander Hofmann, Christine Howald, Nick Pearce<\/strong><\/p>\n The issue deals with the development of the international art market for East Asian artefacts in the aftermath of the forced opening of China and Japan from the mid-19th century. Thousands of art and cultural objects subsequently entered Western collections.<\/p>\n Susanne Meyer-Abich Christine Howald, Alexander Hofmann, Nick Pearce Nick Pearce Haoyang Zhao Kate Hill Niklas Leverenz Eline van den Berg Lucie Chopard Noelle Giuffrida Najiba Choudhury Nathalie Neumann, Adam Ganz Ulrich Weitz Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org TENTH ISSUE Asian Art: The Formation of Collections […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8650","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=8650"}],"version-history":[{"count":24,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8650\/revisions"}],"predecessor-version":[{"id":9630,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8650\/revisions\/9630"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=8650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Asian Art: The Formation of Collections<\/a>
\nVolume 4, Number 2, 2020<\/h1>\n![\"\"](\"https:\/\/fokum.org\/wp-content\/uploads\/2020\/12\/cover_issue_13_en_US-212x300.jpg\")
Table of Contents<\/strong><\/h2>\n
\nEditorial<\/strong>
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\nIntroduction<\/strong>
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\nA Nestorian Misadventure: Frits Holm and the Chinese Nestorian Stele<\/strong>
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\nArt Historical and Provenance Research in a Case Study of Huangchao Liqi Tushi<\/strong>
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\nEnamels \u201cAncient\u201d and \u201cRare\u201d: The \u201cSummer Palace\u201d Market in Imperial England<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n
\nThe Looting of the Winter Palace in Peking in 1900-1901<\/strong>
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\nThe Princessehof collection of Chinese ceramics from the former Dutch East Indies<\/strong>
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\nChinese Porcelain enters the Louvre: A Collector, his Dealers, and the Parisian Art Market (c. 1870-1912)<\/strong>
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\nProvenance Research on Chinese Paintings in American Collections of the 1950s: Sherman E. Lee, Walter Hochstadter, and the Cleveland Museum of Art<\/strong>
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\nSeizures and Liquidation Sales in the United States during World War II: Tracking the Fate of Japanese Art Dealership, Yamanaka & Company, Inc.<\/strong>
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\nProject Report: The Reconstruction of the Art Collection of Felix Ganz (1869-1944)<\/strong>
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\nProject Report: Recently identified Asian Objects from the Eduard & Margaret Fuchs collection<\/strong>
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