{"id":8396,"date":"2021-05-28T13:22:18","date_gmt":"2021-05-28T11:22:18","guid":{"rendered":"https:\/\/fokum.org\/?page_id=8396"},"modified":"2022-06-13T09:55:05","modified_gmt":"2022-06-13T07:55:05","slug":"workshop-2021","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/workshop-2021\/","title":{"rendered":"Workshop 2021"},"content":{"rendered":"\n

Interdisciplinary Online Workshop 2021<\/h1>\n

Who is the Artist? Kennerschaftliche Praxis in Museen<\/h2>\n
\"\"

Illustration: Abel Damourette, L’expert, 1852, view from: Edmond Texier, Tableau de Paris, 2 vols, vol. 2, Paris 1852, p. 268, in the public domain.<\/p><\/div>\n

Date:<\/strong>\u00a0
15\/06\/2021,\u00a010:00 \u2013 16:30 h<\/p>\n

Venue:<\/strong>\u00a0
Berlin, TU-Zoom<\/p>\n

Downloads:
<\/strong>Workshop 2021 Poster<\/a>
Workshop 2021 Programme<\/a>
Workshop 2021 Booklet<\/a><\/p>\n

Review:<\/strong>
Clemens Danda, Berlin, in: H\/Soz\/Kult<\/a>, 16\/09\/21<\/p>\n

Who are the artists? Is the question still relevant or is it not rather about the biographical dynamics of the artworks? And who gives the answers: the experts in the museum, the collectors or the art dealers? How intertwined were and are art museums and the art market in the 20th and 21st centuries? The interdisciplinary cooperation workshop asks about the practice of connoisseurship in museums – in the intersections between art, politics and the economy.<\/p>\n

\"\"<\/strong><\/h2>\n

Programme \u00a0 \u00a0\u00a0<\/h2>\n

10:00 Welcome:\u00a0 <\/span>B\u00e9n\u00e9dicte Savoy (TU Berlin), Jakob Vogel\u00a0 <\/span>(CMB, Berlin)
Introduction:\u00a0 <\/span>Paul Franke (CMB, Berlin), Dorothee Wimmer (Fokum\/TU Berlin)<\/p>\n

Keynote Lecture<\/strong><\/p>\n

10:20 Neville Rowley, Berlin
Kennerschaft in Museen: wozu?<\/p>\n

11:00 Coffee Break<\/p>\n

SECTION 1
Expertise and Trade I<\/strong>
Moderation: Dorothee Wimmer, Berlin<\/p>\n

11:15 Meike Hopp, Berlin
\u201e(\u2026) wieder Mittel um etwas Sch\u00f6nes zu kaufen\u201c: Julius B\u00f6hler und Wilhelm von Bode<\/p>\n

11:45 Matilde Cartolari, Berlin\/Udine
The “American Leonardo” in Context: Joseph Duveen, the Challenge of Expertise and European Museums in the Interwar Period<\/p>\n

12:15 Paul Franke, Berlin
Kennerschaft gegen ein St\u00fcck Butter?\u00a0 <\/span>
Der Handel mit Museumsexpertisen im geteilten Berlin 1945-1950<\/p>\n

12:45 Lunch Break<\/p>\n

SECTION 2
Expertise and Trade II<\/strong>
Moderation: Paul Franke, Berlin<\/p>\n

13:45 Sophie Cras, Paris
Museums’ Economic Practices and Knowledge on Display:\u00a0 <\/span>Marcel Broodthaers\u2019 Mus\u00e9e d’art moderne (1968)<\/p>\n

14:15 Sabine Hesemann, L\u00fcneburg\/Wolfsburg
Gewinn versus Sachkenntnis? Der chinesische Kunstmarkt im Asset-Karussell<\/p>\n

14:45\u00a0Coffee Break<\/p>\n

SECTION 3
Expertise and Trade III<\/strong>
Moderation: Mattes Lammert, Berlin\/Paris<\/p>\n

15:00 Tobias M\u00f6rike, Hamburg
H\u00e4ndlerangabe \u2013 \u00dcbersetzungsarbeit zwischen Museum und Kunstmarkt am Beispiel islamischer Keramik<\/p>\n

15:30 Wolf-Dieter Heilmeyer, Berlin
Antiken im Kontext ihrer Ausgrabung und\u00a0 <\/span>in neuzeitlichen Sammlungen<\/p>\n

16:00 Final Discussion<\/p>\n

Convenor
<\/strong>Forum Kunst und Markt \/ Centre for Art Market Studies at TU Berlin, Institut f\u00fcr Kunstwissenschaft und Historische Urbanistik, Fachgebiet Kunstgeschichte der Moderne in cooperation with Centre Marc Bloch \u2013 Deutsch-Franz\u00f6sisches Forschungszentrum f\u00fcr Sozialwissenschaften, Berlin<\/p>\n

Concept
<\/strong>Paul Franke and Dorothee Wimmer in collaboration with Gabriele Z\u00f6llner<\/p>\n

Further Information<\/strong>
The conference languages are German and English. Please send your registration to:\u00a0anmeldung[at]fokum.org<\/span>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Interdisciplinary Online Workshop 2021 Who is the Artist? Kennerschaftliche Praxis in Museen Date:\u00a015\/06\/2021,\u00a010:00 \u2013 16:30 h Venue:\u00a0Berlin, TU-Zoom Downloads:Workshop 2021 PosterWorkshop 2021 ProgrammeWorkshop 2021 Booklet Review:Clemens Danda, Berlin, in: H\/Soz\/Kult, 16\/09\/21 Who are the artists? Is the question still relevant or is it not rather about the biographical dynamics of the artworks? And who gives […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8396","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=8396"}],"version-history":[{"count":97,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8396\/revisions"}],"predecessor-version":[{"id":9698,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8396\/revisions\/9698"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=8396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}