\nForum Kunst und Markt \/ Centre for Art Market Studies
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<\/a><\/p>\n NINTH ISSUE<\/strong><\/p>\n Photo of the collection of Chief Ekolla (Eholla); Ethnologisches Museum, SMB, design: Amichai Green Grafik.<\/p><\/div>\n Guest Editor: Felicity Bodenstein<\/strong><\/p>\n The issue considers the exponential growth of an export market for cultural objects from the African continent since the middle of the nineteenth century, from the first episodes of commercial and military colonialism through to the dramatic rise from the 1890s onwards.<\/p>\n Susanne Meyer-Abich Felicity Bodenstein Zoe Cormack Jan H\u00fcsgen Richard Tsogang Fossi L\u00e9a Saint-Raymond, Elodie Vaudry Alexandre Girard-Muscagorry Silvie Memel-Kassi Book Review by Felicity Bodenstein Book Review by Julien Bondaz Maureen Murphy Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org NINTH ISSUE Africa: Trade, Traffic and Collections Volume […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8052","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=8052"}],"version-history":[{"count":21,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8052\/revisions"}],"predecessor-version":[{"id":9044,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/8052\/revisions\/9044"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=8052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Africa: Trade, Traffic and Collections<\/span><\/a>
\nVolume 4, Number 1, 2020<\/span>
\n<\/strong><\/span><\/h1>\n![\"\"](\"https:\/\/www.fokum.org\/wp-content\/uploads\/2020\/10\/JAMS8_0_cover_Africa_FINAL-212x300.jpg\")
<\/a>Table of Contents<\/strong><\/h2>\n
\nEditorial<\/strong>
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\nAfrica: Trade, Traffic, Collections<\/strong>
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\nViolence, Globalization and the Trade in “ethnographic” Artefacts in nineteenth-century Sudan<\/strong>
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\nColonial Expeditions and Collecting \u2013 The Context of the “Togo-Hinterland” Expedition of 1894\/1895<\/strong>
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\nItinerary of a Cameroon Cross River Collection in Art Market Networks. An Analysis of Transaction Correspondence between Hamburg-Berlin-Leipzig<\/strong>
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\nThe vanishing paths of African artefacts: Mapping the Parisian auction market for “primitive” objects in the interwar period<\/strong>
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\nZing\u2013Foumban\u2013Paris: Tracing a Mumuye mask from Nigeria to France<\/strong>
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\nThe Illicit Circulation of Ivorian Collections: Challenges and Prospects<\/strong>
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\nYa\u00eblle Biro, Fabriquer le regard: Marchands, r\u00e9seaux, et objets africains \u00e0 l’aube du XXe si\u00e8cle<\/strong>
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\nZachary Kingdon, Ethnographic Collecting and African Agency in Early Colonial West Africa. A Study of Trans-Imperial Cultural Flows<\/strong>
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\nInterview with Jean Roudillon<\/strong>
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