{"id":7847,"date":"2020-11-04T10:50:27","date_gmt":"2020-11-04T09:50:27","guid":{"rendered":"https:\/\/fokum.org\/de\/?page_id=7847"},"modified":"2021-07-27T11:18:02","modified_gmt":"2021-07-27T09:18:02","slug":"journal-for-art-market-studies-8","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-8\/","title":{"rendered":"Journal for Art Market Studies 8"},"content":{"rendered":"\n

Journal for Art Market Studies (JAMS)<\/strong><\/h1>\n

The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English.<\/p>\n

Published by
Forum Kunst und Markt \/ Centre for Art Market Studies
www.fokum-jams.org<\/a><\/p>\n\n\n\n

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\n

<\/a><\/p>\n

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EIGHTH ISSUE<\/strong><\/p>\n

The Global Art Market under the Spanish Empire 1500-1800<\/a>
Volume 3, Number 2, 2019<\/h1>\n

Guest Editor: Pilar Diez del Corral<\/strong><\/p>\n

\"\"<\/a>

Unknown Artist, View of Seville, c. 1660, oil on Canvas, 163 x 274 cm. Sevilla, Fundaci\u00f3n Focus (Hospital de los Venerables),
Wikipedia, design: Amichai Green Grafik.<\/p><\/div>\n

The issue \u201cThe Global Art Market under the Spanish Empire 1500-1800\u201d, guest-edited by Pilar Diez del Corral, explores aspects of the art market under the auspices of the Spanish Empire in a vast geographic context, with intricate commercial and human networks. The global economy of this period transplanted Castilian society overseas, including art markets, with two-way trade routes.<\/p>\n

Table of Contents<\/h2>\n

Susanne Meyer-Abich
<\/span>Editorial<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Pilar Diez del Corral Corredoira
Introduction<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Akemi Luisa Herr\u00e1ez Vossbrink
The Circulation of Zurbar\u00e1n and Murillo\u2019s paintings in the New World<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Felipe \u00c1lvarez de Toledo L\u00f3pez-Herrera
Beyond Murillo: New Data-Driven Research on the Painting Market in Early Modern Seville<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Miquel \u00c0ngel Herrero-Cortell
Las colores de un Imperio. Hispanic production and international trade of pigments and pictorial materials in the sixteenth century<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Ana Di\u00e9guez-Rodr\u00edguez
The artistic relations between Flanders and Spain in the 16th Century: an approach to the Flemish painting trade<\/strong>
HTML<\/a> PDF<\/a><\/p>\n

Pilar Diez del Corral
Interview with Luisa Elena Alcal\u00e1<\/strong>
HTML<\/a> PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English. Published byForum Kunst und Markt \/ Centre for Art Market Studieswww.fokum-jams.org \u00a0 \u00a0 EIGHTH ISSUE The Global Art Market under the […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7847","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/7847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=7847"}],"version-history":[{"count":22,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/7847\/revisions"}],"predecessor-version":[{"id":9008,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/7847\/revisions\/9008"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=7847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}