{"id":6801,"date":"2019-12-20T22:02:30","date_gmt":"2019-12-20T21:02:30","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=6801"},"modified":"2021-07-27T10:57:22","modified_gmt":"2021-07-27T08:57:22","slug":"journal-for-art-market-studies-7","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-7\/","title":{"rendered":"Journal for Art Market Studies 7"},"content":{"rendered":"\n<h1><strong>Journal for Art Market Studies (JAMS)<\/strong><\/h1>\n<p style=\"text-align: justify;\">The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English.<\/p>\n<p style=\"text-align: justify;\">Published by<br \/>Forum Kunst und Markt \/ Centre for Art Market Studies<br \/><a href=\"http:\/\/www.fokum-jams.org\" target=\"_blank\" rel=\"noopener noreferrer\">www.fokum-jams.org<\/a><\/p>\n<hr style=\"margin: 0 0 0 0;\" \/>\n<p><a name=\"btnde\"><\/a><\/p>\n<div style=\"float: right;\">\u00a0<\/div>\n<p style=\"text-align: justify;\"><strong>SEVENTH ISSUE<\/strong><\/p>\n<h1><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/issue\/view\/10\" target=\"_blank\" rel=\"noopener noreferrer\" data-htmlarea-external=\"1\"><b>Politics<\/b><\/a><br \/>Volume 3, Number 1, 2019<\/h1>\n<div id=\"attachment_5973\" style=\"width: 233px\"  class=\"wp-caption alignright\"><a href=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2019\/05\/cover_issue_10_en_US.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5973\" src=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2019\/05\/cover_issue_10_en_US-212x300.jpg\" alt=\"\" width=\"223\" height=\"315\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2019\/05\/cover_issue_10_en_US-212x300.jpg 212w, https:\/\/fokum.org\/wp-content\/uploads\/2019\/05\/cover_issue_10_en_US.jpg 500w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/a><p class=\"wp-caption-text\">David Teniers the Younger, Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels (detail), 1653, \u00a0Wikimedia Commons, Design: Amichai Green Grafik.<\/p><\/div>\n<p><strong>Guest Editor: Kathryn Brown<\/strong><\/p>\n<p style=\"text-align: justify;\">The seventh issue of the Journal for Art Market Studies explores intersections between politics and art markets from the first half of twentieth century to the present. Discussions range from specific policies in different political systems with diverse forms of government that have impacted, or impact, on the marketing and acquisition of art objects to broader political decisions that shape, or have shaped, background social beliefs about the value of art and its institutions.<\/p>\n<h2 style=\"text-align: justify;\"><strong>Table of Contents<\/strong><\/h2>\n<p>Susanne Meyer-Abich<br \/><strong>Editorial<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/87\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_1_Editorial.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Kathryn Brown<br \/><strong>Introduction<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/89\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_2_Introduction.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Caroline Flick<br \/><strong>Licensing and Relegation. A Totalitarian Trade Regime and Dealers\u2019 Tactics<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/83\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_3_Flick.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Marina Maximova<br \/><strong>Reconstructing the Soviet Canon: Strategies for Collecting under Perestroika<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/81\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_4_Maximova.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Kathryn Brown<br \/><strong>Private Influence Public Goods, and the Future of Art History<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/86\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_5_Brown.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Deirdre Robson<br \/><strong>A Law of \u201eUnintended\u201c Consequences? United States Federal Taxation and the Market for Modern Art in the United States<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/69\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_6_Robson.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Nicola Foster<br \/><strong>The Art Market and Politics: The Case of the Sigg Collection<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/85\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_7_Foster.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Ronit Milano<br \/><strong>Moralizing the Art Market: A Socioeconomic Perspective on Art Auctions on the Floor and Online<\/strong><br \/><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/80\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS7_8_Milano.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published byForum Kunst und Markt \/ Centre for Art Market Studieswww.fokum-jams.org \u00a0 SEVENTH ISSUE PoliticsVolume 3, Number 1, 2019 Guest Editor: [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6801","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/6801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=6801"}],"version-history":[{"count":13,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/6801\/revisions"}],"predecessor-version":[{"id":8982,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/6801\/revisions\/8982"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=6801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}