{"id":5985,"date":"2019-06-14T15:28:21","date_gmt":"2019-06-14T13:28:21","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=5985"},"modified":"2021-07-27T10:45:14","modified_gmt":"2021-07-27T08:45:14","slug":"journal-for-art-market-studies-6","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-6\/","title":{"rendered":"Journal for Art Market Studies 6"},"content":{"rendered":"<h1 data-tadv-p=\"keep\"><strong>Journal for Art Market Studies (JAMS)<\/strong><\/h1>\n<p style=\"text-align: justify;\">The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English.<\/p>\n<p style=\"text-align: justify;\">Published by<br \/>\nForum Kunst und Markt \/ Centre for Art Market Studies<br \/>\n<a href=\"http:\/\/www.fokum-jams.org\" target=\"_blank\" rel=\"noopener noreferrer\">www.fokum-jams.org<\/a><\/p>\n<hr style=\"margin: 0 0 0 0;\" \/>\n<p><a name=\"btnde\"><\/a><\/p>\n<div style=\"float: right;\"><\/div>\n<p style=\"text-align: justify;\"><strong>SIXTH ISSUE<\/strong><\/p>\n<h1 data-tadv-p=\"keep\"><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/issue\/view\/8\" target=\"_blank\" rel=\"noopener noreferrer\" data-htmlarea-external=\"1\"><b>Artists on the Market<\/b><\/a><br \/>\nVolume 2, Number 4, 2018<\/h1>\n<div id=\"attachment_5554\" style=\"width: 233px\"  class=\"wp-caption alignright\"><a href=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2019\/02\/cover_issue_8_en_US.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5554\" src=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2019\/02\/cover_issue_8_en_US-212x300.jpg\" alt=\"\" width=\"223\" height=\"315\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2019\/02\/cover_issue_8_en_US-212x300.jpg 212w, https:\/\/fokum.org\/wp-content\/uploads\/2019\/02\/cover_issue_8_en_US.jpg 500w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/a><p class=\"wp-caption-text\">American artist James Montgomery Flagg (1877-1960) with some of his artwork: George Grantham Bain Collection (Library of Congress) [Public domain], Wikimedia Commons, design: Amichai Green Grafik.<\/p><\/div>\n<p><strong>Guest Editor: Sarah Salomon<\/strong><\/p>\n<p style=\"text-align: justify;\">The sixth issue of the Journal for Art Market Studies \u201eArtists on the Market\u201c is devoted to the strategies of artists operating on the art market. Offering a range of examples from the 19th Century to the present, the issue investigates the respective strategies and ranges of action available between artistic freedom and financial success.<\/p>\n<h2 style=\"text-align: justify;\"><strong>Table of Contents<\/strong><\/h2>\n<p><span style=\"font-size: 1rem;\">Susanne Meyer-Abich<br \/>\n<\/span><strong>Editorial<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/82\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_1_Editorial.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p><span style=\"font-size: 1rem;\">Sarah Salomon<br \/>\n<\/span><strong>Introduction<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/84\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_2_Introduction.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Lisa Hackman<br \/>\n<strong>Contrived Resemblance: Delaroche and Napoleon<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/54\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_3_Hackmann.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Barbara Pezzini<br \/>\n<strong>The &#8220;Art&#8221; and the &#8220;Market&#8221; Elements of the Art Market: John Linnell, William Agnew and Artist-Dealer Relationships in Nineteenth-Century Britain<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/40\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_4_Pezzini.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Marie Tavinor<br \/>\n<strong>&#8220;Wonderful Revelations&#8221;: Scottish Art at the Venice Biennale and the Strategies of Innovation and Reputation, 1897-1899<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/50\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_5_Tavinor.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Jonathan Maho<br \/>\n<strong>An Oeuvre shaped by the Buyers\u2019 Tastes? The Impact of Compromises on the Reception of Robert Mapplethorpe\u2019s Work<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/53\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_6_Maho.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Martin Hartung<br \/>\n<strong>Under Control: Sol LeWitt and the Market for Conceptual Art<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/49\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_7_Hartung.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Franz Schultheis<br \/>\n<strong>The Artist is Absent: the Artist as Creativity Entrepreneur and Changes in Representation and Practices of &#8220;Art&#8221;<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/47\" target=\"_blank\" rel=\"noopener noreferrer\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS6_7_Schultheis.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org SIXTH ISSUE Artists on the Market Volume [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5985","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=5985"}],"version-history":[{"count":20,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5985\/revisions"}],"predecessor-version":[{"id":8959,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5985\/revisions\/8959"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=5985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}