{"id":5584,"date":"2019-04-24T23:09:24","date_gmt":"2019-04-24T21:09:24","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=5584"},"modified":"2021-07-27T10:31:49","modified_gmt":"2021-07-27T08:31:49","slug":"journal-for-art-market-studies-5","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-5\/","title":{"rendered":"Journal for Art Market Studies 5"},"content":{"rendered":"

Journal for Art Market Studies (JAMS)<\/strong><\/h1>\n

The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English.<\/p>\n

Published by
\nForum Kunst und Markt \/ Centre for Art Market Studies
\nwww.fokum-jams.org<\/a><\/p>\n

\n

<\/a><\/p>\n

FIFTH ISSUE<\/strong><\/p>\n

Asian Art: Markets, Provenance, History<\/a>
\nVolume 2, Number 3, 2018<\/h1>\n
\"\"<\/a>

\u00a9 Kunstbibliothek, Staatliche Museen zu Berlin, photographer: Anna Russ \/ design: Amichai Green Grafik.<\/p><\/div>\n

Guest Editors: Christine Howald and Alexander Hofmann<\/strong><\/p>\n

This year\u2019s third issue of the Journal for Art Market Studies is focused on the subject \u201cAsian Art: Markets, Provenance, History\u201d and traces the circumstances and the paths taken by East Asian objects through the art market towards Western collections, be it the porcelain collection of Augustus the Strong, the looting of the Chinese imperial summer palace, or the current market for contemporary art.<\/p>\n

Table of Contents<\/strong><\/h2>\n

Gilbert Lupfer
\n<\/span>Guest Editorial<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Christine Howald, Alexander Hofmann
\n<\/span>Introduction<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Ruth Sonja Simonis
\nHow to furnish a Palace. Porcelain acquisitions in the Netherlands for Augustus the Strong, 1716-1718<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Louise Tythacott
\nExhibiting and Auctioning Yuanmingyuan (“Summer Palace”) Loot in 1860s and 1870s London: The Elgin and Negroni Collections<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Akiko Takesue
\nPrivate Collection as Collective Operation: Art Dealers\u2019 Impacts on the Formation of the Van Horne Japanese Ceramic Collection<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Ai Fukunaga
\n<\/span>Tourism and Collecting in Kyoto: The Miyako Hotel as an Agent in the Creation of the Hon. Henry Marsham Collection of Japanese Art, Maidstone Museum, Kent<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Massimiliano Papini
\nEmporio Janetti Padre e Figli and the Japanese Art Market in Florence in the Second Half of the Nineteenth Century<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Anna Pushakova
\nBuying and selling East Asian art during the first decade after the October Revolution in 1917: museum purchases in Moscow<\/strong>
\nHTML<\/a> JAMS5_8_Pushakova<\/a><\/p>\n

Britta Bommert
\nOn the Relevance and Potential of Auction Catalogues as Sources for Art Market Research on Asian Art<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Patrizia Jirka-Schmitz
\nThe trade in Far Eastern Art in Berlin during the Weimar Republic (1918-1933)<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Esther Tisa Francini, Alexandra von Przychowski
\nProvenance Research into the Collection of Chinese Art at the Museum Rietberg: Switzerland and the transnational history of the art market and art collections<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Ilse von zur M\u00fchlen
\nFinance, Taxes and Provenance: A German Museum Acquisition of Chinese Antiquities in 1935<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Nathalie Neumann
\nEast Asian Art in the Gurlitt Collection: Tracing the Relationship of Objects and Actors<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Silke Reuther
\nWell-Advised by Friends: Philipp F. Reemtsma\u00b4s East-Asian Collection<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n

Anita Archer
\nGenesis of an Auction Sale Category: Sotheby’s Inaugural Auction of ‘Contemporary Chinese Art’<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org FIFTH ISSUE Asian Art: Markets, Provenance, History Volume […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5584","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=5584"}],"version-history":[{"count":27,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5584\/revisions"}],"predecessor-version":[{"id":8930,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/5584\/revisions\/8930"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=5584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}