{"id":4919,"date":"2018-09-06T12:00:25","date_gmt":"2018-09-06T10:00:25","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=4919"},"modified":"2021-07-27T10:32:02","modified_gmt":"2021-07-27T08:32:02","slug":"journal-for-art-market-studies-4","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-4\/","title":{"rendered":"Journal for Art Market Studies 4"},"content":{"rendered":"<p><strong>Journal for Art Market Studies (JAMS)<\/strong><\/p>\n<p style=\"text-align: justify;\">The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English.<\/p>\n<p style=\"text-align: justify;\">Published by<br \/>\nForum Kunst und Markt \/ Centre for Art Market Studies<br \/>\n<a href=\"http:\/\/www.fokum-jams.org\" target=\"_blank\" rel=\"noopener\">www.fokum-jams.org<\/a><\/p>\n<hr style=\"margin: 0 0 0 0;\" \/>\n<p><a name=\"btnde\"><\/a><\/p>\n<div style=\"float: right;\"><\/div>\n<p style=\"text-align: justify;\"><strong>FOURTH ISSUE<\/strong><\/p>\n<h1 data-tadv-p=\"keep\"><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/issue\/view\/6\" target=\"_blank\" rel=\"noopener\"><strong>Translocations and the Art Market<\/strong><\/a><br \/>\nVolume 2, Number 2, 2018<\/h1>\n<div id=\"attachment_4298\" style=\"width: 233px\"  class=\"wp-caption alignright\"><a href=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2014\/08\/JAMS_cover_Translocations-upload.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4298\" src=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2014\/08\/JAMS_cover_Translocations-upload-212x300.jpg\" alt=\"\" width=\"223\" height=\"315\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2014\/08\/JAMS_cover_Translocations-upload-212x300.jpg 212w, https:\/\/fokum.org\/wp-content\/uploads\/2014\/08\/JAMS_cover_Translocations-upload.jpg 500w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/a><p class=\"wp-caption-text\">Detail from: George Cruickshank, The Elgin Marbles! or John Bull buying stones at the time his numerous family want bread!! (engraving, 1816), design: Amichai Green Grafik.<\/p><\/div>\n<p><strong>Guest Editor: B\u00e9n\u00e9dicte Savoy<\/strong><\/p>\n<p style=\"text-align: justify;\">Ever since antiquity, the art market and the translocation of art have been closely related. The fourth issue of the Journal for Art Market Studies explores aspects of translocation facilitated by the art market, for example through lucrative trade in looted art as under the Nazis, the skillful exploitation of economic opportunities by wealthy overseas buyers, politically induced sales of national cultural assets as after the Russian Revolution, or the trade in colonial objects whose acquisition circumstances are often unknown.<\/p>\n<p style=\"text-align: justify;\">\n<h2 style=\"text-align: justify;\">Table of Contents<\/h2>\n<p><span style=\"font-size: 1rem;\">Susanne Meyer-Abich<br \/>\n<\/span><strong>Editorial<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/60\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_1_Editorial.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p><span style=\"font-size: 1rem;\">B\u00e9n\u00e9dicte Savoy<br \/>\n<\/span><strong>Introduction<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/59\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_2_Introduction.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Christine Howald, L\u00e9a Saint-Raymond<br \/>\n<strong>Tracking dispersal: auction sales from the Yuanmingyuan loot in Paris in the 1860s<br \/>\n<\/strong><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/30\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_3_Howald-SaintRaymond.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><strong><br \/>\n<\/strong><\/p>\n<p>Cecilia Riva<br \/>\n<strong>An Art World Insider: Austen Henry Layard and the Nineteenth-Century European Art Trade<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/28\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_4_Riva.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Waltraud M. Bayer<br \/>\n<strong>\u201cA Past That Won\u2019t Pass\u201d: Stalin\u2019s Museum Sales in a Transformed Global Context<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/22\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_5_Beyer.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p><span style=\"font-size: 1rem;\">Celine Brugeat<br \/>\n<\/span><strong>Monuments on the Move: The Transfer of French medieval heritage overseas in the early twentieth century<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/32\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_6_Brugeat.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>David Martin Challis<br \/>\n<strong>Rodin\u2019s Sculpture in Japan and the Economics of Translocation<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/21\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_7_Challis.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Gitta Ho<br \/>\n<strong>Mobilisation of moveable assets: Objects designated for the art trade from the National Socialist plundering of the \u201cM-Aktion\u201d<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/36\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_8_Ho.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Vanessa von Gliszczynski, Julia Friedel<br \/>\n<strong>Collected. Bought. Looted? Provenance Research at the Weltkulturenmuseum Frankfurt<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/39\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_9_Gliszczynski-Friedel.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Robert Arlt, Lucie Folan<br \/>\n<strong>Research and restitution: the National Gallery of Australia\u2019s repatriation of a sculpture from the Buddhist site of Chandavaram<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/43\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_10_Arlt-Folan.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Gidena Mesfin Kebede<br \/>\n<strong>A Reflection: Translocations and Changes in Perspective<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/55\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_11_Kebede-MeyerAbich.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Review by Eleonora Vratskidou<br \/>\n<strong>Stories of wheels within wheels &#8211; looted art at documenta 14<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/70\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_12_Vradskidou.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Book review by Sebastian Willert<br \/>\n<strong>Fredrik Hagen and Kim Ryholt: The Antiquities Trade in Egypt 1880-1930. The H.O. Lange Papers<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/45\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS4_12_Willert.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org FOURTH ISSUE Translocations and the Art Market Volume [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4919","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=4919"}],"version-history":[{"count":26,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4919\/revisions"}],"predecessor-version":[{"id":8931,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4919\/revisions\/8931"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=4919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}