{"id":4314,"date":"2018-06-04T12:01:27","date_gmt":"2018-06-04T10:01:27","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=4314"},"modified":"2021-07-27T09:42:51","modified_gmt":"2021-07-27T07:42:51","slug":"journal-for-art-market-studies-3","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-3\/","title":{"rendered":"Journal for Art Market Studies 3"},"content":{"rendered":"<h1 data-tadv-p=\"keep\"><strong>Journal for Art Market Studies (JAMS)<\/strong><\/h1>\n<p style=\"text-align: justify;\">The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English.<\/p>\n<p style=\"text-align: justify;\">Published by<br \/>\nForum Kunst und Markt \/ Centre for Art Market Studies<br \/>\n<a href=\"http:\/\/www.fokum-jams.org\">www.fokum-jams.org<\/a><\/p>\n<hr style=\"margin: 0 0 0 0;\" \/>\n<p><a name=\"btnde\"><\/a><\/p>\n<div style=\"float: right;\"><\/div>\n<p style=\"text-align: justify;\"><strong>THIRD ISSUE<\/strong><\/p>\n<h1 data-tadv-p=\"keep\"><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/issue\/view\/5\" target=\"_blank\" rel=\"noopener\"><strong>Exhibiting Art for Sale<\/strong><\/a><br \/>\nVolume 2, Number 1, 2018<\/h1>\n<div id=\"attachment_3854\" style=\"width: 222px\"  class=\"wp-caption alignright\"><a href=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2014\/07\/cover_issue_5_en_US.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3854 size-medium\" src=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2014\/07\/cover_issue_5_en_US-212x300.jpg\" width=\"212\" height=\"300\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2014\/07\/cover_issue_5_en_US-212x300.jpg 212w, https:\/\/fokum.org\/wp-content\/uploads\/2014\/07\/cover_issue_5_en_US.jpg 500w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><p class=\"wp-caption-text\">Louise Lawler, Life After 1945 (Faces), 2006\/2007, Courtesy: the artist, Metro Pictures, New York, design: Amichai Green Grafik.<\/p><\/div>\n<p><strong>Guest Editor: Andrea Meyer<\/strong><\/p>\n<p style=\"text-align: justify;\">The third issue of the Journal for Art Market Studies is dedicated to the exhibition space\u00a0of\u00a0the art market. What are the historical and current interrelations between exhibition\u00a0strategies\u00a0and sales transactions?<\/p>\n<p style=\"text-align: justify;\">The themes of the articles\u00a0range from\u00a0contemporary New York art galleries, art fairs, modern art galleries in Paris and Berlin at the beginning of the 20<sup>th<\/sup>\u00a0century, to art trade palaces built in Munich around 1900, as well as American barbershops of the late 18th and early 19th century.<\/p>\n<h2 data-tadv-p=\"keep\">Table of Contents<strong><br \/>\n<\/strong><\/h2>\n<p><span style=\"font-size: 1rem;\">Susanne Meyer-Abich<br \/>\n<\/span><strong>Editorial<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/20\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_1_Editorial.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Andrea Meyer, Susanne Meyer-Abich<br \/>\n<strong>Introduction<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/41\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_2_Introduction.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Alison Stagg<br \/>\n<strong>The American Dressing Academy: a venue for early American caricature prints<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/24\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_4_Stagg.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Meike Hopp<br \/>\n<strong>Art Trade Palaces \u2013 Galleries of art dealers as architectural task and their reception in Munich around 1900<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/35\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_5_Hopp.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Malcolm Gee<br \/>\n<strong>Modern Art Galleries in Paris and Berlin c.1890-1933: types, policies and modes of display<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/18\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_6_Gee.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Anne Luther<br \/>\n<strong>Artist-run Galleries &#8211; Differentiating Three Models in Current Contemporary Art Markets<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/19\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_7_Luther.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Andrea Meyer, Susanne Meyer-Abich<br \/>\n<strong>Interview with Sebastian Baden<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/27\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_8_Baden-Meyer-Meyer-Abich.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Helene Bosecker, Susanne Meyer-Abich<br \/>\n<strong>Conference report &#8220;The Art Fair&#8221;<\/strong><br \/>\n<a href=\"https:\/\/fokum-jams.org\/index.php\/jams\/article\/view\/33\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS3_9_Bosecker-MeyerAbich.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org THIRD ISSUE Exhibiting Art for Sale Volume 2, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4314","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=4314"}],"version-history":[{"count":37,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4314\/revisions"}],"predecessor-version":[{"id":8846,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/4314\/revisions\/8846"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=4314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}