{"id":3946,"date":"2018-04-12T16:02:34","date_gmt":"2018-04-12T14:02:34","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=3946"},"modified":"2026-06-23T19:57:33","modified_gmt":"2026-06-23T17:57:33","slug":"start-und-blog","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/","title":{"rendered":"News"},"content":{"rendered":"

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THE CENTRE FOR ART MARKET<\/strong> STUDIES<\/strong> (FOKUM) IS DEVOTED TO THE INTERDISCIPLINARY STUDY OF THE ART MARKET<\/p>\n

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\u00a9 Forum Kunst und Markt \/ Centre for Art Market Studies 2026.<\/p><\/div>\n

LIVE ONLINE EVENT\u00a0<\/strong><\/p>\n

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Dr Ralph Jaeckel, Dr Anne Kuhlmann-Smirnov and Dr Ulrike Schmiegelt-Rietig, Potsdam
\u201eBergungsort \u2013 Schicksalsort. \u00dcber die Wege von Kunstwerken aus Privatbesitz nach dem Zweiten Weltkrieg\u201c <\/strong><\/a><\/p>\n

Evening lecture in cooperation with the German Lost Art Foundation<\/a><\/p>\n

Date:<\/strong> July 6, 2026, 18:15-19:45 CET\u00a0
TU Berlin Zoom-Link:<\/strong> https:\/\/tu-berlin.zoom-x.de\/j\/65195562463?pwd=H1aKkrpatzIUkygnoyA78FaFXyFTAT.1<\/a><\/p>\n<\/div>\n

Programme Evening Lectures<\/a><\/p>\n<\/div><\/div>

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SODa\/Fokum, CC BY-SA 4.0.<\/p><\/div>\n

Conference 2025 <\/strong><\/strong><\/p>\n

Digital Turn. Collections \u2013 Provenances \u2013 Markets <\/a><\/strong>(November 27-28, 2025, Berlin)<\/p>\n

Conference organised by the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at TU Berlin and SODa – Collections, Objects, Data Literacy \/ HU Berlin<\/a><\/p>\n

Concept and organisation: Gabriele Z\u00f6llner, Meike Hopp and Dorothee Wimmer<\/p>\n\n\n\n

Conference Report: <\/strong>Dorothee Haffner (Februar 6,2026). https:\/\/arthist.net\/reviews\/51685<\/a>
Review:<\/strong> Rebekka Reichert (Dezember 17, 2025). https:\/\/sammlungen.io\/blog\/rueckblick-auf-die-konferenz-digital-turn-sammlungen-provenienzen-maerkte<\/a><\/p>\n<\/div><\/div>

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\u00a9 Fokum<\/p><\/div>\n

SYMPOSIUM 2024<\/strong><\/p>\n

++will be published open access and print by Deutscher Kunstverlag | De Gruyter Arts in 2026, funded by the Stiftung Kritische Kunst- und Kulturwissenschaften++<\/span><\/p>\n

Antisemitische Symbole in Kunstobjekten<\/a><\/strong> (Hybrid Event, 5.\u20136. Dezember 2024)<\/span><\/b><\/p>\n

Symposium organised by the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at TU Berlin and the Chair of Art Education at HFBK Hamburg<\/p>\n

Concept and organisation: Meike Hopp, Nora Sternfeld and Dorothee Wimmer, with the assistance of Gabriele Z\u00f6llner<\/p>\n

Review:<\/strong> Birgit Rieger, Berlin, in: Tagesspiegel<\/a>, December 10, 2024<\/p>\n<\/div><\/div>

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In the 1950s, the planned construction of the Aswan High Dam threatened the accessibility and architectural integrity of Ramses II’s two temples at Abu Simbel. As a world wide joint project, the temples were dismantled and rebuilt on a higher plateau between 1963 and 1968. Source: Forskning & Framsteg 3, 1967, p. 161 \/ Wikimedia Commons.<\/p><\/div>\n

INTERNATIONAL SYMPOSIUM 2023<\/strong><\/p>\n

++will be published open access by arthistoricum.net-ART-Books++<\/span><\/p>\n

Art Transportation in Times of War and Peace <\/span><\/b><\/a><\/p>\n

Date: <\/span><\/b>November 9-10, 2023<\/span><\/p>\n

International Symposium of the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universit\u00e4t Berlin and the Berlinische Galerie – Museum f\u00fcr Moderne Kunst<\/span><\/p>\n

The symposium opened on Thursday, November 9, 2023, with a panel discussion about <\/span>\u201cKrieg in Europa – Art Handling<\/strong><\/a>\u201d<\/span> (in German, with registration). Conference date: Friday, November 10, 2023, online (TU Zoom). Conference language was English. <\/span><\/p>\n

Concept: Meike Hopp, Thomas Steinruck, Dorothee Wimmer and Gabriele Z\u00f6llner<\/span><\/p>\n<\/div><\/div>

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Arrival of relief goods at the Khanenko Museum, Kyiv, March 2022; Image: Ukraine Art Aid Center.<\/p><\/div>\n

RECORDING OF THE PANEL DISCUSSION\u00a0<\/strong><\/p>\n

Krieg in Europa – Art Handling<\/span><\/b><\/a><\/p>\n

Download (in German): <\/strong>click here<\/a>
(Live recording, not an edited podcast version)<\/span><\/p>\n

The panel discussion took place on November 9, 2023 at the Berlinische Galerie – Museum f\u00fcr Moderne Kunst.<\/span><\/p>\n

It wa<\/span>s part of the international symposium\u00a0<\/span>Art Transportation in Times of War and Peace.<\/a><\/span><\/b><\/p>\n

\u00a0<\/p>\n<\/div><\/div><\/div>\n

Funded by<\/h3>\n

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THE CENTRE FOR ART MARKET STUDIES (FOKUM) IS DEVOTED TO THE INTERDISCIPLINARY STUDY OF THE ART MARKET Funded by<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3946","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=3946"}],"version-history":[{"count":120,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3946\/revisions"}],"predecessor-version":[{"id":12322,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3946\/revisions\/12322"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=3946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}