{"id":3837,"date":"2018-03-16T16:49:49","date_gmt":"2018-03-16T15:49:49","guid":{"rendered":"https:\/\/www.fokum.org\/?page_id=3837"},"modified":"2021-07-27T09:04:52","modified_gmt":"2021-07-27T07:04:52","slug":"journal-for-art-market-studies-1","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/journal-for-art-market-studies-1\/","title":{"rendered":"Journal for Art Market Studies 1"},"content":{"rendered":"<p><strong>JOURNAL FOR ART MARKET STUDIES (JAMS)<\/strong><\/p>\n<p style=\"text-align: justify;\">The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English.<\/p>\n<p>Published by<br \/>\nForum Kunst und Markt \/ Centre for Art Market Studies<br \/>\n<a href=\"http:\/\/www.fokum-jams.org\/\">www.fokum-jams.org<\/a><\/p>\n<hr style=\"margin: 0 0 0 0;\" \/>\n<p><a name=\"btnde\"><\/a><\/p>\n<div style=\"float: right;\"><\/div>\n<p style=\"text-align: justify;\"><strong>FIRST ISSUE<\/strong><\/p>\n<h1 style=\"text-align: justify;\"><strong><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/issue\/view\/2\" target=\"_blank\" rel=\"noopener\">The Pricing of Art: Makers \u2013 Markets \u2013 Museums<\/a><br \/>\n<\/strong>Volume 1, Number 1, 2017<\/h1>\n<div id=\"attachment_2889\" style=\"width: 233px\"  class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2889\" src=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-724x1024.jpg\" alt=\"\" width=\"223\" height=\"315\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-724x1024.jpg 724w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-212x300.jpg 212w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-600x848.jpg 600w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-1086x1536.jpg 1086w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-1448x2048.jpg 1448w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-624x882.jpg 624w, https:\/\/fokum.org\/wp-content\/uploads\/2017\/01\/Journal-for-Art-Market-Studies-FINAL_2017-scaled.jpg 1810w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><p class=\"wp-caption-text\">Installation: Georg Weissbach, Courtesy: Galerie Kleindienst, Design: Amichai Green Grafik.<\/p><\/div>\n<p><strong>Guest Editor: Dorothee Wimmer<\/strong><\/p>\n<p style=\"text-align: justify;\">This first issue of our open access Journal for Art Market Studies does not seek to provide estimates of artwork prices. Instead, &#8220;The Pricing of Art. Makers &#8211; Markets &#8211; Museums&#8221; focuses on analysing how market players and institutions in the \u201cart market system\u201d have combined to affect the pricing of art, both now and in the past.<\/p>\n<p>The aim is to present selected case studies which offer representative insights into different countries, periods, networks and phenomena from the perspective of art and museum historians, economists, and sociologists.<\/p>\n<h2 data-tadv-p=\"keep\">Table of Contents<\/h2>\n<p>B\u00e9n\u00e9dicte Savoy, Johannes Nathan, Dorothee Wimmer<br \/>\n<strong>Editorial<\/strong><strong><br \/>\n<\/strong><a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/1\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_1_Editorial.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Dorothee Wimmer<br \/>\n<strong>Introduction<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/2\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_2_Introduction.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Anja Grebe<br \/>\n<strong>Marketing Favors: Formal and Informal Criteria for Pricing Albrecht D\u00fcrer\u2019s Works between 1500 and 1650<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/3\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_3_Grebe.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>B\u00e9n\u00e9dicte Savoy<br \/>\n<strong>\u201eInvaluable Masterpieces\u201c: The Price of Art at the Mus\u00e9e Napol\u00e9on<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/4\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_4_Savoy.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Lukas Fuchsgruber<br \/>\n<strong>The H\u00f4tel Drouot as the Stock Exchange for Art. Financialization of Art Auctions in the Nineteenth Century<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/5\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_5_Fuchsgruber.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Jeroen Euwe &amp; Kim Oosterlinck<br \/>\n<strong>Art Price Economics in the Netherlands during World War II<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/6\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_6_Euwe-Oosterlinck.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Franz Schultheis<br \/>\n<strong>On the Price of Priceless Goods. Sociological Observations on and around Art Basel<\/strong><br \/>\n<a href=\"https:\/\/www.fokum-jams.org\/index.php\/jams\/article\/view\/7\" target=\"_blank\" rel=\"noopener\">HTML<\/a> <a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2021\/07\/JAMS1_7_Schultheis.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/p>\n<p>Review: Susanne Schreiber, Dusseldorf, in:\u00a0<a href=\"http:\/\/www.handelsblatt.com\/panorama\/kultur-kunstmarkt\/arts-n-drafts\/journal-for-art-market-studies-wer-bestimmt-was-angesagt-ist\/19406684-all.html\">Handelsblatt<\/a>, 17\/02\/2017<\/p>\n","protected":false},"excerpt":{"rendered":"<p>JOURNAL FOR ART MARKET STUDIES (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org FIRST ISSUE The Pricing of Art: Makers \u2013 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3837","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=3837"}],"version-history":[{"count":47,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3837\/revisions"}],"predecessor-version":[{"id":8785,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/3837\/revisions\/8785"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=3837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}