{"id":366,"date":"2014-11-17T15:17:13","date_gmt":"2014-11-17T14:17:13","guid":{"rendered":"https:\/\/www.fokum.org\/newsite_forg\/?page_id=366"},"modified":"2019-12-22T20:26:37","modified_gmt":"2019-12-22T19:26:37","slug":"vortragsprogramm-sommersemester-2014","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/vortragsprogramm-sommersemester-2014\/","title":{"rendered":"Vortragsprogramm Sommersemester 2014"},"content":{"rendered":"

LECTURE SERIES SUMMER TERM 2014<\/strong><\/p>\n\n\n\n\n\n\n
Monday,
\n07\/04\/2014
\n6.15 p.m.<\/td>\n		Dr. des. Thomas Skowronek, Berlin
\nMarktgestalten in Sorge. Zu Galerien in Polen und Russland und den \u00f6konomischen Ma\u00dfgaben heutiger Kunstm\u00e4rkte<\/a><\/em><\/td>\n<\/tr>\n
Monday,
\n05\/05\/2014
\n6.15 p.m.<\/td>\n		Ulrike Scholz M.A., Hamburg
\n“Ein eigenartiger Erfolg meiner Museumslauferei.” (Hans Stickel, 1955) Die Galerie Gerstenberger als Spiegel des b\u00fcrgerlichen Kunstgeschmacks in der Weimarer Republik und Profiteur lukrativer Gesch\u00e4fte im Nationalsozialismus.<\/em><\/a><\/td>\n<\/tr>\n
Monday,
\n16\/06\/2014
\n6.15 p.m.<\/td>\n		Dr. Antoinette Friedenthal, Z\u00fcrich\/Berlin
\nKunst & Markt & Wissenschaft: Das Rembrandt-Werkverzeichnis des Londoner Kunsth\u00e4ndlers John Smith (1836)<\/a><\/em><\/td>\n<\/tr>\n
Monday,
\n07\/07\/2014
\n6.15 p.m.<\/td>\n		Yvonne Wagner M.A., Marburg
\nLe go\u00fbt de la libert\u00e9. Die Verkaufsstrategien des Kunsth\u00e4ndlers Jean-Baptiste-Pierre Le Brun (1748\u20131813)<\/em><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

The language of presentation corresponds to the respective abstract.<\/p>\n

back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

LECTURE SERIES SUMMER TERM 2014 Monday, 07\/04\/2014 6.15 p.m. Dr. des. Thomas Skowronek, Berlin Marktgestalten in Sorge. Zu Galerien in Polen und Russland und den \u00f6konomischen Ma\u00dfgaben heutiger Kunstm\u00e4rkte Monday, 05\/05\/2014 6.15 p.m. Ulrike Scholz M.A., Hamburg “Ein eigenartiger Erfolg meiner Museumslauferei.” (Hans Stickel, 1955) Die Galerie Gerstenberger als Spiegel des b\u00fcrgerlichen Kunstgeschmacks in der […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-366","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=366"}],"version-history":[{"count":22,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/366\/revisions"}],"predecessor-version":[{"id":7010,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/366\/revisions\/7010"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}