{"id":348,"date":"2014-11-17T14:44:06","date_gmt":"2014-11-17T13:44:06","guid":{"rendered":"https:\/\/www.fokum.org\/newsite_forg\/?page_id=348"},"modified":"2025-04-19T18:37:24","modified_gmt":"2025-04-19T16:37:24","slug":"workshoparchiv","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/workshoparchiv\/","title":{"rendered":"Workshop \/ Conference Archive"},"content":{"rendered":"<p><strong>WORKSHOP AND CONFERENCE ARCHIVE<\/strong><\/p>\n<p style=\"text-align: justify;\">The Forum Kunst und Markt \/ Centre for Art Market Studies hosts international workshops and conferences on the key themes of historical art market research.<\/p>\n<ul>\n<li>Symposium 2024<br \/>\n<a href=\"https:\/\/fokum.org\/en\/symposium-2024\/\">Antisemitische Symbole in Kunstobjekten: (Anti-)Kapitalistische Kontexte und gesellschaftliche Wirkungen<\/a><\/li>\n<li>Symposium 2023<br \/>\n<a href=\"https:\/\/fokum.org\/symposium-2023\/\">Art Transportation in Times of War and Peace<\/a><\/li>\n<li data-tadv-p=\"keep\">TIAMSA Conference Berlin 2022<br \/>\n<a href=\"https:\/\/fokum.org\/en\/konferenz-2022\/\" target=\"_blank\" rel=\"noopener\">The Image of the Art Market. Just What Is It that Makes the Art Trade Look so Different, so Alarming?<\/a><\/li>\n<li data-tadv-p=\"keep\">Workshop 2021<br \/>\n<a href=\"https:\/\/fokum.org\/en\/workshop-2021\/\" target=\"_blank\" rel=\"noopener\">Who is the Artist? Kennerschaftliche Praxis in Museen<\/a><\/li>\n<li data-tadv-p=\"keep\">Workshop 2020<br \/>\n<a href=\"https:\/\/fokum.org\/en\/artists-estates\/\" target=\"_blank\" rel=\"noopener\">Artists\u2019 Estates<\/a><\/li>\n<li>Symposium 2019<br \/>\n<a href=\"https:\/\/fokum.org\/konferenz-2019\/\">Objects on the Art Market: Original oder F\u00e4lschung \u2013 eine Frage der Expertise?<\/a><\/li>\n<li>Conference 2018-2019<br \/>\n<a href=\"https:\/\/fokum.org\/deutsch-franzoesisches-forschungsprogramm\/\" target=\"_blank\" rel=\"noopener noreferrer\">Deutsch-Franz\u00f6sisches Forschungsprogramm: Kunstmarkt und Kunst sammeln von 1900 bis heute in Deutschland und Frankreich<\/a><\/li>\n<li>Conference 2018<br \/>\n<a href=\"https:\/\/www.fokum.org\/en\/deutsch-franzoesisches-forschungsprogramm\/\" target=\"_blank\" rel=\"noopener noreferrer\">Germany and France: Art Market and Art Collecting 1900-1945\u00a0<\/a><\/li>\n<li>Workshop 2018<br \/>\n<a href=\"https:\/\/www.fokum.org\/en\/workshop-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Linking Open Data in French-German Provenance and Art Market Research<\/a><\/li>\n<li>Symposium 2017<br \/>\n<a href=\"https:\/\/www.fokum.org\/en\/conference-2017\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Global Power of Private Museums: Arts and Publics \u2013 States and Markets<\/a><\/li>\n<li>Conference 2017<br \/>\n<a style=\"font-size: inherit;\" href=\"https:\/\/www.fokum.org\/en\/conference-art-and-theft-in-france\/\" target=\"_blank\" rel=\"noopener noreferrer\">Theft &amp; Trade. The French Art Market Under German Occupation (1940-1944)<\/a><\/li>\n<li>Workshop 2016<br \/>\n<a href=\"https:\/\/www.fokum.org\/en\/workshop-2016\/\" target=\"_blank\" rel=\"noopener noreferrer\">Art Markets and Politics. State Control and Trade in Global Perspective<\/a><\/li>\n<li><span style=\"font-size: inherit;\">Conference 2016<br \/>\n<\/span><a style=\"font-size: 1rem;\" href=\"https:\/\/www.fokum.org\/en\/conference-2016\/\" target=\"_blank\" rel=\"noopener noreferrer\">All the Beauty of the World. The Western Market for non-European Artefacts (18th-20th century)<\/a><\/li>\n<li><span style=\"font-size: inherit;\">Workshop 2015<br \/>\n<\/span><a style=\"font-size: 1rem;\" href=\"https:\/\/www.fokum.org\/en\/workshop2015\/\" target=\"_blank\" rel=\"noopener noreferrer\">Artists on the Market<\/a><\/li>\n<li><span style=\"font-size: inherit;\">Workshop 2014<br \/>\n<\/span><a style=\"font-size: 1rem;\" href=\"https:\/\/www.fokum.org\/en\/workshop-2014\/\" target=\"_blank\" rel=\"noopener noreferrer\">Exhibiting Art for Sale<\/a><\/li>\n<li><span style=\"font-size: inherit;\">Workshop 2013<\/span><br \/>\n<a style=\"font-size: 1rem;\" href=\"https:\/\/www.fokum.org\/en\/workshop-2013\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Berlin Art Market. From the 18th into the 21th Century<\/a><\/li>\n<li><span style=\"font-size: inherit;\">Workshop 2012<br \/>\n<\/span><a style=\"font-size: 1rem;\" href=\"https:\/\/www.fokum.org\/en\/workshop-2012\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Price of Art. Studio \u2013 Market \u2013 Museum<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>WORKSHOP AND CONFERENCE ARCHIVE The Forum Kunst und Markt \/ Centre for Art Market Studies hosts international workshops and conferences on the key themes of historical art market research. Symposium 2024 Antisemitische Symbole in Kunstobjekten: (Anti-)Kapitalistische Kontexte und gesellschaftliche Wirkungen Symposium 2023 Art Transportation in Times of War and Peace TIAMSA Conference Berlin 2022 The [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-348","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=348"}],"version-history":[{"count":93,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/348\/revisions"}],"predecessor-version":[{"id":11692,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/348\/revisions\/11692"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}