{"id":30,"date":"2014-07-30T14:20:05","date_gmt":"2014-07-30T12:20:05","guid":{"rendered":"https:\/\/www.fokum.org\/newsite_forg\/?page_id=30"},"modified":"2026-06-19T02:18:22","modified_gmt":"2026-06-19T00:18:22","slug":"team","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/team\/","title":{"rendered":"Team"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>TEAM<br \/>\n<\/strong><\/p>\n<p style=\"text-align: justify;\">The Forum Kunst und Markt \/ Centre for Art Market Studies (fokum) is based on an idea of Dorothee Wimmer.<\/p>\n<p><strong>Director:<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<div style=\"font-weight: bold;\">Dr. Dorothee Wimmer<\/div>\n<div>E-Mail: dorothee.wimmer[at]tu-berlin.de<\/div>\n<p>Project:<br \/>\n<a href=\"dorothee-wimmer-rembrandt-im-ns\">Art Theft \u2013 Art Market \u2013 Art Propaganda:<br \/>\nThe material and\u00a0ideological appropriation of Rembrandt under National Socialism<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Network for Young Scholars:\u00a0<\/strong><\/p>\n<table style=\"height: 188px;\" width=\"624\">\n<tbody>\n<tr>\n<td style=\"width: 595.125px;\">\n<div style=\"font-weight: bold;\">Dr. Lukas Fuchsgruber<\/div>\n<div>E-Mail: lfuchsgruber[at]posteo.de<\/div>\n<p><a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/team\/fellows\/dr_des_lukas_fuchsgruber\/\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><a href=\"https:\/\/www.fokum.org\/nachwuchsforum\/\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/>\n<\/a>Project:<br \/>\n<a href=\"https:\/\/www.fokum.org\/lukas-fuchsgruber-hotel-drouot-1852-in-paris\/\" target=\"_blank\" rel=\"noopener\">The Founding of the Auction House H\u00f4tel Drouot 1852 in Paris: \u00a0A New Space for Engaging in the Valuation of Art<\/a><\/td>\n<td style=\"width: 6.890625px;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Editor, Journal for Art Market Studies:<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"width: 595.125px;\">\n<div style=\"font-weight: bold;\">Dr. Susanne Meyer-Abich<\/div>\n<p><a href=\"https:\/\/www.fokum-jams.org\">www.fokum-jams.org<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"text-align: justify;\"><strong>Associated Researchers:<\/strong><\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. Matilde Cartolari<br \/>\n<\/strong>E-Mail: m.cartolari[at]zikg.eu<br \/>\n<a href=\"https:\/\/fokum.org\/en\/cartolari\/\" target=\"_blank\" rel=\"noopener\">Homepage<\/a><strong><br \/>\n<\/strong>Projekt:<br \/>\n<a href=\"https:\/\/fokum.org\/en\/cartolari-ambassadors-of-beauty\/\" target=\"_blank\" rel=\"noopener\">Ambassadors of Beauty. Italian Old Masters and Fascist Cultural Diplomacy (1930-1940)<\/a><strong><br \/>\n<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Mela D\u00e1vila-Freire, M.A.<br \/>\n<\/strong>E-Mail: mela[at]artfile.es<br \/>\n<a href=\"https:\/\/artfile.es\/en\/artfile-is-mela-davila-freire\/\" target=\"_blank\" rel=\"noopener\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/fokum.org\/en\/davila-freire-documenta-und-der-kunstmarkt\/\" target=\"_blank\" rel=\"noopener\">documenta and the Art Market (1955 \u2013 1968)<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. Elisabeth Furtw\u00e4ngler<\/strong><br \/>\nE-Mail: e.furtwaengler[at]tu-berlin.de<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/index.php?id=187128\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/research\/einzelne_forschungsprojekte\/repertory_the_french_art_market_during_the_occupation1940_1945_actors_places_networks\/parameter\/de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Repertorium der Akteure des franz\u00f6sischen Kunstmarkts w\u00e4hrend der deutschen Besatzung (1940-1945)<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Prof. Dr. Meike Hopp<br \/>\n<\/strong>E-Mail: \u00a0meike.hopp[at]kulturgutverluste.de<br \/>\n<a href=\"https:\/\/www.pressestelle.tu-berlin.de\/menue\/tub_medien\/publikationen\/medieninformationen\/2019\/november_2019\/medieninformation_nr_2002019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fachgebiet Digitale Provenienzforschung, TU Berlin<\/a><strong><br \/>\n<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. Christine Howald<\/strong><br \/>\nE-Mail: howald[at]smb.spk-berlin.de<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/team\/wiss_mitarbeiterinnen\/dr_christine_howald\/\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/forschung\/einzelne_forschungsprojekte\/teaa_tracing_east_asian_art\/\" target=\"_blank\" rel=\"noopener noreferrer\">TEAA &#8211; Tracing East Asian Art<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. des. Mattes Lammert<\/strong><br \/>\nE.Mail: mattes.lammert[at]khist.uzh.ch<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/team\/wiss_mitarbeiterinnen\/mattes_lammert\/\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/forschung\/einzelne_forschungsprojekte\/die_erwerbungen_der_staatlichen_museen_zu_berlin_auf_dem_pariser_kunstmarkt_waehrend_der_deutschen_besatzungszeit_1940_1944\/\" target=\"_blank\" rel=\"noopener noreferrer\">Die Erwerbungen der Staatlichen Museen zu Berlin auf dem Pariser Kunstmarkt w\u00e4hrend der Besatzung 1940 \u2013 1944<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. Johannes Nathan<\/strong><br \/>\nE-Mail: j.nathan[at]nathanfineart.com<br \/>\n<a href=\"http:\/\/www.nathanfineart.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"projekte\">The Art Market Dictionary &#8211; AMD<\/a><strong><br \/>\n<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Dr. Christoph Rausch<\/strong><br \/>\nE-Mail: christoph.rausch[at]maastrichtuniversity.nl<br \/>\n<a href=\"https:\/\/www.maastrichtuniversity.nl\/c.rausch\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/www.fokum.org\/dr-christoph-rausch\/\" target=\"_blank\" rel=\"noopener noreferrer\">Better than Gold? Art in Storage Spaces of the 21<sup>st<\/sup>\u00a0Century<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Xenia Schiemann, M.A.<\/strong><br \/>\nE-Mail: Xenia.Schiemann[at]kpf.nrw<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/team\/wiss_mitarbeiterinnen\/xenia_schiemann\/\" target=\"_blank\" rel=\"noopener noreferrer\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/www.kuk.tu-berlin.de\/menue\/research\/einzelne_forschungsprojekte\/die_geschaeftsbeziehungen_zwischen_der_kunst_und_antiquitaeten_gmbh_der_ddr_und_westlichen_auktionshaeusern_im_zeitraum_von_1973_bis_1990\/parameter\/de\/\">Die Gesch\u00e4ftsbeziehungen zwischen der Kunst und Antiquit\u00e4ten GmbH der DDR und westlichen Auktionsh\u00e4usern im Zeitraum von 1973 bis 1990: Mechanismen \u2013 Netzwerke \u2013 Objekte<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\"><strong>Gabriele Z\u00f6llner, M.A.<br \/>\n<\/strong>E-Mail: gabriele.zoellner[at]hu-berlin.de<br \/>\n<a href=\"https:\/\/www.gabrielezoellner.com\" target=\"_blank\" rel=\"noopener\">Homepage<\/a><br \/>\nProject:<br \/>\n<a href=\"https:\/\/fokum.org\/en\/zoellner-rembrandt-grafisch\/\" target=\"_blank\" rel=\"noopener\"><span lang=\"EN-US\">Rembrandt in Graphs. A quantitative data analysis based on digitised German-language auction catalogues between 1901 and 1918<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Assistance:\u00a0<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td><span style=\"font-family: inherit;\"><strong>Gabriele Z\u00f6llner, M.A.<\/strong><br \/>\n<\/span><span style=\"font-family: inherit;\">E-Mail: info@fokum.org<\/span><\/td>\n<td>\n<div style=\"font-weight: bold;\"><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Former Employees:\u00a0<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td>\n<div><strong>Karolin Pfeiffer, M.A.<br \/>\n<\/strong><\/div>\n<div><\/div>\n<div><strong>Xenia Schiemann, M.A.<\/strong><\/div>\n<div><\/div>\n<div><\/div>\n<\/td>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>TEAM The Forum Kunst und Markt \/ Centre for Art Market Studies (fokum) is based on an idea of Dorothee Wimmer. Director: Dr. Dorothee Wimmer E-Mail: dorothee.wimmer[at]tu-berlin.de Project: Art Theft \u2013 Art Market \u2013 Art Propaganda: The material and\u00a0ideological appropriation of Rembrandt under National Socialism Network for Young Scholars:\u00a0 Dr. Lukas Fuchsgruber E-Mail: lfuchsgruber[at]posteo.de Homepage [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":260,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":12315,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/30\/revisions\/12315"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}