{"id":11648,"date":"2025-04-16T11:58:29","date_gmt":"2025-04-16T09:58:29","guid":{"rendered":"https:\/\/fokum.org\/?page_id=11648"},"modified":"2025-04-16T11:58:29","modified_gmt":"2025-04-16T09:58:29","slug":"vortragsprogramm-wintersemester-2024-2025","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/vortragsprogramm-wintersemester-2024-2025\/","title":{"rendered":"Vortragsprogramm Wintersemester 2024\/2025"},"content":{"rendered":"<h1><strong>Fokum Evening Lectures Winter Term 2024\/2025<br \/><\/strong><\/h1>\n<p style=\"text-align: justify;\">In the Evening Lectures, current research on the present and historical areas of tension and dynamics between art (production), the art trade, art politics, art museums and art history &#8211; also including their social, economic and technological contexts &#8211; will be presented and put up for discussion.<\/p>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:42% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-1024x640.png\" alt=\"\" class=\"wp-image-11222 size-full\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-1024x640.png 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-300x188.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-768x480.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-1536x960.png 1536w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-624x390.png 624w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter-1320x825.png 1320w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_winter.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LIVE ONLINE EVENT \/\/ TU Berlin-Zoom<\/strong><\/p>\n\n\n\n<p>Dr Petra Winter, Berlin:<br><strong><a href=\"https:\/\/fokum.org\/en\/petra-winter\/\" data-type=\"page\" data-id=\"11216\">Das Zentralarchiv als historisches Ged\u00e4chtnis der Staatlichen Museen zu Berlin &#8211; Quellen zur Provenienz- und Kunstmarktforschung<\/a><\/strong><\/p>\n\n\n\n<p><strong>Date:<\/strong> November 11, 2024, 18:15-19:45 CET<br><strong>TU Berlin Zoom-Link:<\/strong> <a href=\"https:\/\/tu-berlin.zoom.us\/j\/61405652894?pwd=vf9acULXWJMktNjkUpFbjEszQ2JnUU.1\">https:\/\/tu-berlin.zoom.us\/j\/61405652894?pwd=vf9acULXWJMktNjkUpFbjEszQ2JnUU.1<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:42% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"974\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-1024x974.png\" alt=\"\" class=\"wp-image-11399 size-full\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-1024x974.png 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-300x285.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-768x731.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-624x594.png 624w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869-1320x1256.png 1320w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/11\/Titelbild_Grafik_V3-e1731678233869.png 1341w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>HYBRID EVENT \/\/ HYBRID LAB \/ ONLINE<\/strong><\/p>\n<p><strong>Impulse lectures at the symposium\u00a0<\/strong><strong><a href=\"https:\/\/fokum.org\/en\/symposium-2024\/\">&#8220;Antisemitische Symbole in Kunstobjekten:\u00a0(Anti-)Kapitalistische Kontexte und gesellschaftliche Wirkungen&#8221;<\/a> <br \/><\/strong>Impulse 1: Imperialismus, Antisemitismus und Kapitalismus<br \/>Dorothee Wimmer, Berlin<br \/>Impulse 2: NS-Provenienzforschung: Der Umgang mit antisemitischen Quellen<br \/>Meike Hopp, Berlin<br \/>Impulse 3: Das Svastika-Ornament als antisemitischer Code<br \/>Nora Sternfeld und Julia Stolba, Hamburg<\/p>\n<p><strong>Date:<\/strong> December 5, 2024, 18:00-20:00 CET<br \/><strong>Venue:<\/strong> <a href=\"https:\/\/www.fokum.org\/wp-content\/uploads\/2019\/10\/Wegbeschreibung_VillaBell.jpg\">Hybrid Lab at Villa Bell<\/a>, Marchstra\u00dfe 8, 10578 Berlin<br \/><strong>TU Berlin-Zoom-Link:<\/strong> <a href=\"https:\/\/tu-berlin.zoom.us\/j\/66733273327?pwd=lUVQymZK6P0aDrZaDxG6mrGntHNN9c.1\">https:\/\/tu-berlin.zoom.us\/j\/66733273327?pwd=lUVQymZK6P0aDrZaDxG6mrGntHNN9c.1<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:42% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-1024x640.png\" alt=\"\" class=\"wp-image-11347 size-full\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-1024x640.png 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-300x188.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-768x480.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-1536x960.png 1536w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-624x390.png 624w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3-1320x825.png 1320w, https:\/\/fokum.org\/wp-content\/uploads\/2024\/10\/Deckblatt_eEvening-Lecture_buettner-Popovici_3.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>LIVE ONLINE EVENT \/\/ TU Berlin-Zoom<\/strong><\/p>\n\n\n\n<p>Prof Dr Nils B\u00fcttner, Stuttgart, and Dr Carina Popovici, Zurich:<br><strong><a href=\"https:\/\/fokum.org\/en\/buettner-popovici\/\" data-type=\"page\" data-id=\"11472\">Van Dyck, KI und Kunstgeschichte<\/a><\/strong><\/p>\n\n\n\n<p><strong>Datum:<\/strong> January 20, 2025, 18:15-19:45 CET<br><strong>TU Berlin Zoom-Link:<\/strong>&nbsp;<a href=\"https:\/\/tu-berlin.zoom.us\/j\/65416427145?pwd=WUFvSFVseEs4bmpySXl0NzViZGxmZz09\">https:\/\/tu-berlin.zoom.us\/j\/62527298508?pwd=J6Ji5YqymKMvRael7b8adiEDotx96V.1<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:42% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-1024x640.png\" alt=\"\" class=\"wp-image-11513 size-full\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-1024x640.png 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-300x188.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-768x480.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-1536x960.png 1536w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-624x390.png 624w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1-1320x825.png 1320w, https:\/\/fokum.org\/wp-content\/uploads\/2025\/01\/Deckblatt_eEvening-Lecture_dewinter-almstadt_2_1.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>HYBRID EVENT \/\/ TU BERLIN \/ ONLINE<\/strong><\/p>\n\n\n\n<p>El\u00e9a De Winter, Brussels, and Fenya Almstadt, Brussels\/Berlin:<br><a href=\"https:\/\/fokum.org\/en\/dewinter-und-almstadt\/\" data-type=\"page\" data-id=\"11497\"><strong>The Belgian Art Market 1933-1960: from Institutional Players to Commercial Actors.  The Role of Moving Companies and the Royal Museums of Fine Arts of Belgium during the Second World War<\/strong><\/a><\/p>\n\n\n\n<p>Evening lecture in cooperation with the Royal Museums of Fine Arts of Belgium, the Universit\u00e9 Libre de Bruxelles and the Department of Digital Provenance at Technische Universit\u00e4t Berlin<\/p>\n\n\n\n<p><strong>Date: <\/strong>February 10, 2025, 18:15-19:45 h CET<br><strong>Venue:<\/strong> H 0111 in the main building at TU Berlin, Stra\u00dfe des 17. Juni 135, 10623 Berlin<br><strong>TU Berlin Zoom-Link:<\/strong> <a href=\"https:\/\/tu-berlin.zoom.us\/j\/63199001038?pwd=vDhGInsisULAesyi2Qu7LImdoc4mRY.1\">https:\/\/tu-berlin.zoom.us\/j\/63199001038?pwd=vDhGInsisULAesyi2Qu7LImdoc4mRY.1<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>++Titles are written in the respective language of presentation.++<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fokum Evening Lectures Winter Term 2024\/2025 In the Evening Lectures, current research on the present and historical areas of tension and dynamics between art (production), the art trade, art politics, art museums and art history &#8211; also including their social, economic and technological contexts &#8211; will be presented and put up for discussion. LIVE ONLINE [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11648","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/11648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=11648"}],"version-history":[{"count":2,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/11648\/revisions"}],"predecessor-version":[{"id":11652,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/11648\/revisions\/11652"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=11648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}