\nForum Kunst und Markt \/ Centre for Art Market Studies
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<\/a><\/p>\n THIRTEENTH ISSUE<\/b><\/p>\n Hacha. \u201cBliss Coll. from Dehesa\u201d noted on verso, date unknown. Stendahl Art Galleries Records, 2017.M.38, b32, f4, Getty Research Institute.<\/p><\/div>\n Guest Editor: Martin Berger<\/strong><\/p>\n This issue examines the influence that art market actors (specifically dealers and collectors) had on the formation of collections in museums in Europe and the United States. The focus lies on Latin America, looking primarily at archaeological collections but also briefly examining the lively trade in and market for ethnographic items that existed in the twentieth century.<\/p>\n Susanne Meyer-Abich Martin Berger Megan O’Neil, Mary E Miller Andrew D. Turner, Payton Phillips Quintanilla Mariana Francozo, Caroline Fernandes Caromano Carolina Orsini, Anna Antonini, Federica Villa Martin Berger Viola Koenig Journal for Art Market Studies (JAMS) The Journal for Art Market Studies (JAMS) is a peer-reviewed open-access journal for current international\u00a0research on the art market of all periods. The articles are published in English. Published by Forum Kunst und Markt \/ Centre for Art Market Studies www.fokum-jams.org THIRTEENTH ISSUE Collecting Latin America Volume 6, Number […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10894","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=10894"}],"version-history":[{"count":5,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10894\/revisions"}],"predecessor-version":[{"id":10901,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10894\/revisions\/10901"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=10894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Collecting Latin America<\/strong><\/a>
\nVolume 6, Number 1, 2022<\/h1>\n![\"\"](\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/12\/cover_issue_16_en_US.jpg\")
Table of Contents<\/h2>\n
\nEditorial<\/strong>
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\nIntroduction<\/strong>
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\nStendahl Art Galleries in Europe: Expanding the Market for Pre-Hispanic Art at Mid-Century<\/strong>
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\nCollecting and Constructing Classic Veracruz. Earl Stendahl, Guillermo Ech\u00e1niz, and the Market for Mesoamerican Stone Ballgame Objects<\/strong>
\nHTML<\/a> PDF<\/a><\/p>\n
\nOne Cara Grande for each museum in the world: The role of Borys Malkin in the formation of Lowland South-American indigenous collections (1960-1970)<\/strong>
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\nFrom Paris to New York: The Guillermo Schmidt Pizarro Collection from the Brummer Gallery Records<\/strong>
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\nBetween Canon and Coincidence<\/strong>
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\n\u201cCompensating for War Losses and Closing Gaps in the Collection\u201d.<\/strong>
\nThe Acquisitions on the Art Market for the Mesoamerican collection at the Ethnological Museum in Berlin 1969-2008<\/strong>
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