{"id":10466,"date":"2023-09-02T09:35:34","date_gmt":"2023-09-02T07:35:34","guid":{"rendered":"https:\/\/fokum.org\/?page_id=10466"},"modified":"2023-12-14T08:18:41","modified_gmt":"2023-12-14T07:18:41","slug":"symposium-2023","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/symposium-2023\/","title":{"rendered":"Symposium 2023"},"content":{"rendered":"\n<h1>International Symposium 2023<\/h1>\n<h2><b><span lang=\"EN-US\">Art Transportation in Times of War and Peace <br \/>November 9-10, 2023<\/span><\/b><\/h2>\n<p>International Symposium of the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universit\u00e4t Berlin and the Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst<\/p>\n<h3>Downloads<\/h3>\n<ul>\n<li><a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/11\/231109_Krieg_in_Europa_Art_Handling.mp3\" download=\"\">Recording<\/a> of the panel discussion &#8220;Krieg in Europa &#8211; Art Handling&#8221; (in German), which took place on November 9, 2023 (live recording, not an edited podcast version).<\/li>\n<li><a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/12\/Steinruck_Art-Transportation_231110.pdf\" target=\"_blank\" rel=\"noopener\">Presentation of Thomas Steinruck<\/a>, Art Transportation in Times of War and Peace, Introduction, November 10, 2023<\/li>\n<li><a href=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/11\/Symposium_2023_Booklet.pdf\" target=\"_blank\" rel=\"noopener\">Booklet Fokum Symposium 2023<\/a><\/li>\n<li><a href=\"https:\/\/fokum.org\/?mailpoet_router&#038;endpoint=view_in_browser&#038;action=view&#038;data=WzE4LCJjYWI1YzAwYjBkZmUiLDAsMCwxMywxXQ\" target=\"_blank\" rel=\"noopener\">CFP Fokum Symposium 2023<\/a><\/li>\n<\/ul>\n<div id=\"attachment_10429\" style=\"width: 635px\"  class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10429 size-large\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-851x1024.jpg\" alt=\"\" width=\"625\" height=\"752\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-851x1024.jpg 851w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-249x300.jpg 249w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-768x924.jpg 768w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-1277x1536.jpg 1277w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-624x750.jpg 624w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel-1320x1588.jpg 1320w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/07\/Abusimbel.jpg 1564w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><p class=\"wp-caption-text\">In the 1950s, the planned construction of the Aswan High Dam threatened the accessibility and architectural integrity of Ramses II\u2019s two temples at Abu Simbel. As a world wide joint project, the temples were dismantled and rebuilt on a higher plateau between 1963 and 1968. Source: Forskning &#038; Framsteg 3, 1967, p. 161 \/ Wikimedia Commons.<\/p><\/div>\n<p style=\"text-align: justify;\">Transporting art and cultural heritage in times of war and peace may have in all its contexts its unique motivations. Reasons for doing so include art protection, exhibitions, art trade and sales, (inter-)cultural exchange, preservation and conservation, repatriation, art theft and plundering as well as research and study.<\/p>\n<p style=\"text-align: justify;\">The transportation of art, artifacts, and cultural heritage should always involve careful planning, support, and execution to safeguard these valuable and often irreplaceable items, may it be in times of war or peace. Transportation processes should adhere to strict conservation standards to minimize the risk of damage or loss during transit. But have those standards always existed? And do those processes significantly differ between times of peace and times of war due to the varying risks, challenges and motivations posed by conflict and violence?<\/p>\n<p style=\"text-align: justify;\">The conference aims to bring together scholars, researchers, curators, restorers, (museum) experts and practitioners to explore on a global scale issues surrounding \u201chow\u201d transportation of art, artifacts, and cultural heritage is planned, supported and finally carried out, as well as all specific aspects around moving art during situations of war and peace.<\/p>\n<h2>PROGRAMME<\/h2>\n<p><strong>TURSDAY, 9 NOVEMBER 2023<br \/><\/strong>Berlinische Galerie (with registration by 7 November 2023)<\/p>\n<h3>Panel Discussion (in German): Krieg in Europa &#8211; Art Handling<\/h3>\n<div id=\"attachment_10505\" style=\"width: 778px\"  class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10505 size-full\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Newsletter_Fokum_Panel-Discussion_2023.png\" alt=\"\" width=\"768\" height=\"614\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Newsletter_Fokum_Panel-Discussion_2023.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Newsletter_Fokum_Panel-Discussion_2023-300x240.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Newsletter_Fokum_Panel-Discussion_2023-624x499.png 624w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><p class=\"wp-caption-text\">Arrival of relief goods at the Khanenko Museum, Kyiv, March 2022; Image: Ukraine Art Aid Center.<\/p><\/div>\n<table style=\"border-collapse: collapse; width: 100%; height: 449px;\">\n<tbody>\n<tr style=\"height: 24px;\">\n<td style=\"width: 10.610687%; height: 24px;\">17:30<\/td>\n<td style=\"width: 89.389313%; height: 24px;\">Registration \/ Admission<\/td>\n<\/tr>\n<tr style=\"height: 353px;\">\n<td style=\"width: 10.610687%; height: 353px;\">18:15<\/td>\n<td style=\"width: 89.389313%; height: 353px;\">\n<p>Welcome: Birgitta M\u00fcller-Brandeck (Berlinische Galerie)<br \/>Introduction: Dorothee Wimmer (Centre for Art Market Studies, TU Berlin)<\/p>\n<p>On the podium:<\/p>\n<ul>\n<li>Khrystyna Ahner (Ukraine Art Aid Center\/BTU Cottbus-Senftenberg)<\/li>\n<li>Klaus Hillmann (Tandem Kunsttransporte\/Ukraine Art Aid Center)<\/li>\n<li>Meike Hopp (Digital Provenance, TU Berlin\/Arbeitskreis Provenienzforschung e.V.)<\/li>\n<\/ul>\n<p><span style=\"font-family: inherit;\">Moderation:<\/span><\/p>\n<ul>\n<li>Julia Voss (DHM\/Leuphana Universit\u00e4t L\u00fcneburg)<\/li>\n<\/ul>\n<p>Due to limited space,<strong> registration is required by 7 November 2023<\/strong>.<\/p>\n<p>The panel discussion will be audio recorded.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><br \/><strong>FRIDAY, 10 NOVEMBER 2023<\/strong><br \/>Technische Universit\u00e4t Berlin (online, TUB-Zoom)<br \/><a href=\"https:\/\/tu-berlin.zoom.us\/j\/64741410645?pwd=VEVjV0svbWZPQ0FlTHlITmZsWU9XUT09\" target=\"_blank\" rel=\"noopener\">https:\/\/tu-berlin.zoom.us\/j\/64741410645<\/a><\/p>\n<h3>International Symposium (in English): Art Transportation in Times of War and Peace<\/h3>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 10.610687%;\">10:00<\/td>\n<td style=\"width: 89.389313%;\">Welcome: Meike Hopp, Berlin<br \/>Introduction: Thomas Steinruck, Zurich | Dorothee Wimmer, Berlin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>Session 1 \u2013 Customs Regulations, Challenges and Techniques<\/em><br \/>Chair: Dorothee Wimmer, Berlin<\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 11.068702%;\">10:30<\/td>\n<td style=\"width: 88.931298%;\">Alice Martignon, Venice<br \/>The Transportation of Cultural and Archaeological Heritage from Venice to Foreign Countries (1866-1907)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.068702%;\">11:00<\/td>\n<td style=\"width: 88.931298%;\">Mathilde Sigalas, Geneva<br \/>From Local Transportation to International Shipping: the Trajectories of the Ur Antiquities during the British Mandate over Iraq (1922-1932)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.068702%;\">11:30<\/td>\n<td style=\"width: 88.931298%;\">Tereza Johanidesov\u00e1, Prague<br \/>&#8220;How to Move an Immovable Monument?&#8221; Cooperation with UNESCO for the Transfer of a Church in the North Bohemian Town of Most<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.068702%;\">12:00<\/td>\n<td style=\"width: 88.931298%;\">Lunch Break<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>Session 2 \u2013 Insurance, Law and Economics<\/em><br \/>Chair: Thomas Steinruck, Zurich<\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 10.916031%;\">13:30<\/td>\n<td style=\"width: 89.083969%;\">Paul Franke, Marburg\/Berlin<br \/>\u201ePut the Giorgione in a Trunk and Presto!\u201c Clandestine Art Transportation in the 19th and 20th Century<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 10.916031%;\">14:00<\/td>\n<td style=\"width: 89.083969%;\">Avigail Moss, London<br \/>\u201cExcluding War Risks\u201d: Insuring Art in and out of Conflict in the early 20th Century<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 10.916031%;\">14:30<\/td>\n<td style=\"width: 89.083969%;\">Romane Spirin, Paris<br \/>The Refuge System for Museum Collections in the Event of Armed Conflict<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 10.916031%;\">15:00<\/td>\n<td style=\"width: 89.083969%;\">Coffee Break<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em>Session 3 \u2013 Art Protection in World War II<\/em><br \/>Chair: Meike Hopp, Berlin<\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 11.221374%;\">15:30<\/td>\n<td style=\"width: 88.778626%;\">Mattia Biffis, Messina\/Rome<br \/>\u201cArduous Operations\u201d: the Transportation of Titian\u2019s Assunta in 1941<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.221374%;\">16:00<\/td>\n<td style=\"width: 88.778626%;\">Victoria Marquez-Feldman, Paris\/Buenos Aires<br \/>The \u201cCustodianship\u201d of French Artwork in the United States, 1939-1945: a Unique Heritage Protection System<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.221374%;\">16:30<\/td>\n<td style=\"width: 88.778626%;\">Ulrike Schmiegelt-Rietig, Potsdam<br \/>The Collections of the State Palaces and Gardens (Berlin) 1936-1945: Semblance of Normality and Protective Measures<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 11.221374%;\">17:00<\/td>\n<td style=\"width: 88.778626%;\">Final Remarks<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Concept<\/h3>\n<p>Meike Hopp, Thomas Steinruck, Dorothee Wimmer and Gabriele Z\u00f6llner<\/p>\n<h3>Organiser<\/h3>\n<p>Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universit\u00e4t Berlin and the Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-10509\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-1024x145.png\" alt=\"\" width=\"664\" height=\"94\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-1024x145.png 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-300x43.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-768x109.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-1536x218.png 1536w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-2048x290.png 2048w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-624x88.png 624w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/10\/Logos_Partner-1320x187.png 1320w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>International Symposium 2023 Art Transportation in Times of War and Peace November 9-10, 2023 International Symposium of the Centre for Art Market Studies in cooperation with the Department of Digital Provenance at Technische Universit\u00e4t Berlin and the Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst Downloads Recording of the panel discussion &#8220;Krieg in Europa &#8211; Art [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10466","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10466","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=10466"}],"version-history":[{"count":81,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10466\/revisions"}],"predecessor-version":[{"id":10821,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10466\/revisions\/10821"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=10466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}