{"id":10261,"date":"2023-05-07T11:23:59","date_gmt":"2023-05-07T09:23:59","guid":{"rendered":"https:\/\/fokum.org\/en\/?page_id=10261"},"modified":"2023-06-05T13:52:44","modified_gmt":"2023-06-05T11:52:44","slug":"challis","status":"publish","type":"page","link":"https:\/\/fokum.org\/en\/challis\/","title":{"rendered":"David Challis"},"content":{"rendered":"\n<h1>Fokum eEvening Lecture Summer Term 2023<\/h1>\n<h2 class=\"has-text-color\"><span style=\"color: #c9252c;\"><strong>LIVE ONLINE EVENT<\/strong> \/\/ TUB-ZOOM<\/span><\/h2>\n<p>Dr David Challis, Melbourne, talks about:<\/p>\n<h2>Artworks and Economic Crises: Modigliani and Rodin on the Move after World War I<\/h2>\n<p><strong>Date:\u00a0<\/strong>05\/06\/23, 12:00-13:00 h CEST \/ 20:00-21:00 h AEDT<br \/><strong>Venue: <\/strong>TU Berlin Zoom (online)<\/p>\n<div id=\"attachment_10264\" style=\"width: 2570px\"  class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10264 size-full\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1651\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-scaled.jpeg 2560w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-300x193.jpeg 300w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-1024x660.jpeg 1024w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-768x495.jpeg 768w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-1536x990.jpeg 1536w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-2048x1321.jpeg 2048w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-624x402.jpeg 624w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_modigliani_abb-1320x851.jpeg 1320w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><p class=\"wp-caption-text\">Amedeo Modigliani, Reclining Nude from the Back, 1917, Oil on Canvas, 64.8 cm x 99.7 cm, Barnes Foundation, Public Domain.<\/p><\/div>\n<div id=\"attachment_10265\" style=\"width: 912px\"  class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10265 size-full\" src=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_graph.png\" alt=\"\" width=\"902\" height=\"302\" srcset=\"https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_graph.png 902w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_graph-300x100.png 300w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_graph-768x257.png 768w, https:\/\/fokum.org\/wp-content\/uploads\/2023\/05\/challis_graph-624x209.png 624w\" sizes=\"auto, (max-width: 902px) 100vw, 902px\" \/><p class=\"wp-caption-text\">Appreciation of the United States dollar, British pound, Australian pound, Japanese yen and Argentinian peso against the French franc 1916 \u2013 1940. Source: Section 11: Currency\u2019 in the Banking and Monetary Statistics, 1914 \u2013 1941, Federal Reserve Archives, Federal Reserve Bank of Saint Louis.<\/p><\/div>\n<p style=\"text-align: justify;\"><br \/>++Title, abstract and CV are always written in the respective language of presentation.++<\/p>\n<div>\n<p style=\"text-align: justify;\"><strong>Abstract:\u00a0<\/strong>Economic crises can impact the art world ecosystem in many different and significant ways. This lecture examines how the collapse of the French franc in the decades following the First World War activated powerful \u2018push\u2019 and \u2018pull\u2019 economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. Using the artwork of Amedeo Modigliani and Auguste Rodin as examples, these factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/unimelb.academia.edu\/DavidChallis\" target=\"_blank\" rel=\"noopener\">Dr David Challis<\/a> is an Early Career Researcher and sessional teacher in the School of Culture and Communications at the University of Melbourne. His first book titled \u201aForeign Currency Volatility and the Market for French Modernist Art\u2018 was published by Brill in 2021 and received a positive review in the Journal of Cultural Economics in 2022. His research distinctions include the 2020 Paul Mellon Centre Postdoctoral Fellowship in London. David\u2019s ongoing research interests focus on the evolution and operation of historical and contemporary art markets. David returned to full time study in 2013 after a career in the Financial Markets Industry based in Australia and London.<\/p>\n<\/div>\n<p style=\"text-align: right;\"><a href=\"https:\/\/fokum.org\/en\/aktuelles-vortragsprogramm\/\">back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fokum eEvening Lecture Summer Term 2023 LIVE ONLINE EVENT \/\/ TUB-ZOOM Dr David Challis, Melbourne, talks about: Artworks and Economic Crises: Modigliani and Rodin on the Move after World War I Date:\u00a005\/06\/23, 12:00-13:00 h CEST \/ 20:00-21:00 h AEDTVenue: TU Berlin Zoom (online) ++Title, abstract and CV are always written in the respective language of [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10261","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/comments?post=10261"}],"version-history":[{"count":18,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10261\/revisions"}],"predecessor-version":[{"id":10370,"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/pages\/10261\/revisions\/10370"}],"wp:attachment":[{"href":"https:\/\/fokum.org\/en\/wp-json\/wp\/v2\/media?parent=10261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}