Left: Otto Feldmann, undated; the only known photo of the art dealer; right: “Picasso – Negerplastik”. Catalogue for the exhibition of the Neue Galerie, Berlin 1913 © Rainer Stamm
EVENING LECTURE
Prof. Dr. Rainer Stamm, Oldenburg, talks about:
Französische und deutsche Avantgarde in Berlin.
Otto Feldmanns ‚Neue Galerie‘ 1913/14
Date: 09/07/2018, 6:15 pm
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623 Berlin
© Fokum
GERMAN-FRENCH RESEARCH PROGRAMME
Galleries, Museums and Collectors from 1900 to Present-Day in Germany and France
In 2018/2019, the Forum Kunst und Markt/Centre for Art Market Studies at Technische Universität Berlin in partnership with the Centre Georg Simmel at École des Hautes Études en Sciences Sociales and the Deutsches Forum für Kunstgeschichte in Paris are organising the research programme “Galleries, Museums and Collectors from 1900 to Present-Day in Germany and France”. The programme aims to promote scientific exchange between young researchers and post-docs surrounding the German-French networks of the art market in the 20th and 21st centuries. The project is funded by the Université franco-allemande/Deutsch-Französische Hochschule. Further information will follow soon.
Image: Philipp Deines, Ohne Titel, 2015 (detail); cover design: Amichai Green Grafik Design
LAST INTERNATIONAL SYMPOSIUM
The Global Power of Private Museums: Arts and Publics – States and Markets (Berlin, 16-18/11/2017 )
International symposium of the Centre for Art Market Studies at TU Berlin in cooperation with the Forum Transregionale Studien and its research programme Art Histories and Aesthetic Practices
Funded by: Fritz Thyssen Stiftung
Media partner: L.I.S.A. – Das Wissenschaftsportal der Gerda Henkel Stiftung
Downloads:
CFP The Global Power of Private Museums
Flyer The Global Power of Private Museums
Poster_The Global Power of Private Museums
Booklet The Global Power of Private Museums
Interview: TRAFO – Blog for Transregional Research, 14.11.2017
Review: “Das Privatmuseum als Chance?” (RiffReporter, 11.12.2017)
Reconstruction of the interior view of Gersaint’s shop displayed in the virtual reality space of the Sciences et Culturels du Visuel cluster, in Tourcoing © Chromelight Studio, Roubaix; CREHS, Université d’Artois; LARHRA, Université Lyon 2, CNRS; LISIC, ULCO (Picture Sophie Raux)
NEXT EVENING LECTURE
Prof. Dr. Sophie Raux, Lyon, talks about:
Date: 25/06/2018, 6:15 pm
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152, 10623 Berlin
Poster at the Drouot: “By order of the General Commissariat for Jewish Affairs: Jews are absolutely forbidden to enter the rooms of the auction house.” © Mémorial de la Shoah
LAST EVENING LECTURE
Dr. Elisabeth Furtwängler (Berlin) talks about:
Date: 23/04/2018, 18:15h
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152,
10623 Berlin
Photo documentation for no. 324-26: Peter Paul Rubens, portrait of a monk (oil on wood, 47.6 x 38.7 cm) © Fotoarchiv Julius Böhler, Zentralinstitut für Kunstgeschichte (ZI) Munich. The painting was sold by Julius Böhler to John Ringling in 1926 (today: The Ringling, Sarasota/Florida, USA, Inv. No. SN224).
LAST EVENING LECTURE
Dr. Meike Hopp (Munich) and Sophie Kriegenhofer, M.A. (Munich) talk about:
Date: 28/05/2018, 6:15 pm
Venue: Room A 111, Architecture Building of the TU, Straße des 17. Juni 150/152,
10623 Berlin
Cover of the second issue of the Journal for Art Mart Market Studies. Louise Lawler, Life After 1945 (Faces), 2006/2007. Courtesy of the artist and Metro Pictures, New York. Based on a cover design by Amichai Green Grafik
JOURNAL FOR ART MARKET STUDIES
We are excited to announce the third issue of the Journal for Art Market Studies, published by Forum Kunst und Markt/Centre for Art Market Studies at Technische Universität Berlin.
Third Issue
Exhibiting Art for Sale
Volume 2, Number 1, 2018
Link to the journal
www.fokum-jams.org
The third issue of the Journal for Art Market Studies focuses on the role and development of the exhibition space in a commercial context, from the American barbershop to art trade palaces built in Munich around 1900, as well as both forerunners of and alternatives to today’s commercial gallery spaces.
